Do you hear the people sing?There’s a lot wrong with Assassin’s Creed: Unity. I mean, there is a lot right with it too…but there is a lot wrong. Now, I went into playing Unity all smug like, thinking “well, I have seen Les Misérables both on stage and on screen – I am totally in the know of the French Revolution. But, apparently, there was more than one – so where Les Mis is set in the early 1800s, Unity takes place during the 1790s. So, my knowledge on the historical events were limited, with the only historical figure I recognised being Napoleon. Oh, and Madame Tussaud makes an appeareance! Not that my lack of knowing is the game’s fault by any means – I mean, how were they supposed to know that my historical knowledge was limited? But it certainly makes you less invested in the story if you don’t really know who is who. Anyway, that is an irrelevant side note.Unity follows assassin Arno Dorian throughout his adventures in Paris. Arno’s story takes an interesting, different route from previous AssCreds; it focuses more on a unity (hey? hey?) between Assassins and Templars, as opposed to the usual “we have to find these deadly artifacts before they do!” approach some of the previous games take. Despite this interesting premise, Unity fails when it comes to deliverance. The story feels very disjointed and slow of pace, with the Revolution not actually kicking in until about half way through. There are some fascinating side characters – powdered faces, ludicrous wigs and what not – but most of the main cast are pretty bland, and many share similar facial features, making it quite difficult to distinguish between who is who. One of the best features of the plot is the love side story, which plays out nicely as the game progresses. Still, Unity, somewhat ironically when you think of the title, seems to stand very alone when compared to previous Assassin’s Creed games. Granted, we have just finished what is called the “Kenway Saga”, so naturally all of those games would link, but there is barely any reference to previous instalments (apart from unlocking past protagonists’ outfits), which, considering this is only set a few years after the Kenway Saga, is a bit disappointing. If you have played Rogue, you will know how its epilogue ties in nicely with Unity’s prologue – so it would have been nice to maybe feature Shay at some point during the game, even if he is an older man by then. There is also no ‘modern day’ section of the game, bar a few cutscenes, which is a shame because it was actually quite a fun little diversion going around and hacking computers, learning about Abstergo’s secrets. As a final point on plot, the trailer/promotional art would have you believe that Unity focuses on a troupe of young Assassins who work together having banterous fun and a cheeky Nando’s every now and then. This certainly is not the case in the story, unless this kicks in right at the end. There are several multiplayer missions scattered about, and the game puts a great emphasis on completing these (I have no friends so…), but nothing in the main story, unfortunately.This leads nicely onto my next point: sidequests. Fans of the Assassin’s Creed series will know that there is an abundance of activities to complete in each game. Unity is no different. Now, opinions on this may be mixed, but I believe that Unity offers too much. The map of Paris is lovely, large and lively, and absolutely infested with side activities like moles on my back. There are chests to open. Some are locked, which requires a certain degree of lockpicking skill, which can only be obtained after completing Sequence 5 or 9, depending on the skill level. Lockpicking is also incredibly boring and tedious. There are collectibles in the form of cockades; like Animus fragments in previous games, these are dotted across the map and serve no real purpose other than gotta catch ‘em all. There are murder mysteries, which are actually quite enjoyable, in which you take the role of a Batman-style detective. They range in difficulty from piss-easy to that-required-me-to-think-a-bit. There are assassination missions, which literally highlight a random poor bugger on the map and require you to go and kill him. Alongside this we also have “Paris Stories”, mini-missions that require you to complete a few little tasks for certain characters; nothing too special. Lastly, there are Nostradamus Enigmas. Nostradamus, being the enigmatic little seer that he was, has left clues around Paris in the form of riddles to unlock some uber armour (probably for aesthetic purposes only). I enjoy a good riddle, but some of these are ridiculous – it got to the point where I just looked them up. There are 18 in total, each with three riddles, which have you traipsing all over Paris. Again, a nice idea, but piled on top of everything else, it just becomes tedious. The fact that there is no real reward, bar some aesthetic differences, also makes all of these side quests lack incentive. In the Dead Kings DLC there are some similar riddles to unlock a hilariously OP sword, but that’s kind of it. Unless you’re an achievement hunter then it feels like a waste of time. Saying that, achievements are stored on uPlay (if you’re on PC), so what the hell is the point there?
Unlike its predecessors, Unity is a ‘new-gen’ game, and it certainly feels it. With a new art style which I have mixed feelings about (a bit like water painting), and an arguably improved freerunning mechanic (it’s a lot more fluid but also a lot more restricting…play and you will see what I mean), Unity feels like a slightly less intelligent big brother to its previous instalment siblings. The clunky controls are still apparent, making Arno very difficult to control at times. Combat has changed slightly too – it’s a lot more difficult, which is a welcome change. It now requires you to actually think what you are doing, as opposed to waiting for an opportunity to counter before engaging in a kill streak. There is a vast variety of weapons and armour to customise Arno with, but, again, this is a little overwhelming. In the weapons category, you have one-handed, two-handed, long weapons, pistols, rifles and (if you have Dead Kings) guillotine guns, which are pretty much grenade launchers with axes on. You can swap these around at any time by accessing the customisation menu, but due to the clunky route you have to take to get there, there isn’t too much point. The plus side is that you can make Arno into the type of fighter you want: will you go sword and pistol? Or perhaps a spear? Unfortunately, if you choose a weapon such as one from the rifle category, that serves as both your melee and your ranged, making combat limited. I just stuck with one handed sword and pistol, occasionally dabbling into heavy. There are also a finite number of skill points, so make sure you spend them in the category that is useful to you. Now, you can also customised every inch of Arno’s outfit, from hood to gloves to belt to pants. Well, not the last one, but close. Each item of clothing offers different stats and oh my gosh it’s just too much. If you’re really into customisation, then this is great for you, but unless I’m playing an RPG in which I can actually role-play with a character how I want, then it’s limited. I don’t care what gloves Arno wears. Additionally, various weapons and clothes have exactly the same stats – the appearance is just different. As mentioned, you can also unlock previous protagonists’ outfits, and a few others, that serve as a skin for whatever armour you are wearing.
Unity by all standards is a decent game, but it falls short in a lot of areas, and lacks where games such as Black Flag and Rogue succeeded. Ridiculous load times, various texture and clipping issues (and at one point, two characters kissed, and they didn’t touch, resulting then standing near each other with puckered lips making kissy sounds…), and other somewhat silly factors that really shouldn’t occur in such an established franchise stop this game from being great.
If you’re a fan of the series it’s worth playing, but I personally wouldn’t spend more than about £20 or so on it, as seems to be the continual case with most Assassin’s Creed games.
I’m so into pirates right now. Like, seriously. Also, I haven’t tried multiplayer yet, so this review is for the single player campaign only.
If we’re not going to get an Assassin’s Creed game set in Victorian England, then I guess playing as pirates is the next best thing. A prequel of sorts to Assassin’s Creed III, Assassin’s Creed IV: Black Flag has you playing as AssCred III protagonist Conor’s grandfather, Edward Kenway – a Welsh eighteenth century sexy pirate who finds himself caught up in the ongoing Assassin/Templar War. The game opens with the ship that Kenway is on being attacked. After being marooned on an island, he ends up chasing down and killing an Assassin – thus, Kenway’s induction into the Assassin club is a lot less…traditional than previous protagonists, including Conor’s. Despite this chance encounter with an Assassin, Kenway is still an ancestor of dull Desmond, and is therefore related to Ezio and Altair too. So, even though he just happened to stumble on to becoming an Assassin, which I think is kind of cool, it was always in his blood. Perhaps that accounts for his unexplained super agility, skill with weapons, dashing good looks, parkour skills and Eagle Vision, like all the other members of the Desmond bloodline? Perhaps…
If you have played an Assassin’s Creed game before, which you should have, you’ll know what to expect from Black Flag. The game is actually a reconstruction of Kenward’s memories, thanks to the Animus. At any point in the game, you can get out of the Animus and explore the ‘real world’ (to an extent). In this scenario, you play first person as a faceless, nameless Abstergo employee, aiding the company in creating the ultimate entertainment experience after the success of Assassin’s Creed: Liberation (yeah, it gets pretty meta.) But this is Abstergo, so I don’t trust them for a second and assume they’re actually trying to take over the world.
Back playing Pirates of the Caribbean, you’ll spend most of your time climbing up buildings, towers, ships and trees with little-to-no difficulty. You’ll dive from ridiculous heights into conveniently placed hay bails without so much of a scratch. And you’ll kill so many guards in the name of JUSTICE that any morals you had before will be thrown out the window. You’ll also, obviously, see how many ‘innocents’ you can accidentally-on-purposley kill before you are desynchronised. Yes, Black Flag follows the same formula as previous AssCred games, but adds entirely new elements in its open world exploration. Previous Assassin’s Creed titles have had large open maps, but Black Flag’s world is set in the West Indies, and as such about 75% of the map is water, speckled with numerous little islands. This may sound like a boring waste of space, but Black Flag’s naval exploration is where the game really stands out. A couple of hours or so into the game, you gain command of your own ship, the Jackdaw, which can be upgraded with new weapons, armour, figureheads, steering wheels and sails throughout the game, enabling you to create the ship o’ your dreams! Controlling the Jackdaw is a welcome change from the clunky controls that burden Kenward on dry land – you can alter between different speeds, face wind residence, currents and must think quite tactically about how you steel, lest you end up ramming into a small island. There’s no real consequence for this (the ship only takes a small amount of damage from rock-ramming) it does add a few seconds onto your travel time. So if you’re busy and important like me, you’re going to want to steer quite clear. The naval combat is also superior to its land counterpart. Not much has changed in the latter since the last AssCred game – you still pretty much just have to stand there until someone attacks you, then counter it, then win. It gets very stale. But out on the deep blue sea, naval combat demands a whole different pace. The Jackdaw can be equipped with numerous weapons including cannons, fire barrels and giant bolas which must be used systematically to incapacity your watery foe. Weapons have a recharge time, so you can’t just fire them willy-nilly, and you and your enemy are pretty much constantly moving and circling around each other, so timing is very important. Not to mention that they are probably trying to ram and shoot you too. It’s just very satisfying, and weirdly doesn’t get that repetitive. The weather also poses another challenge, and changes dramatically: one minute you might be enjoying a tan on the deck, and the next you’re confronted with an angry maelstrom that’s throwing rouge waves and tornado at you. It’s very atmospheric! And you feel pretty epic navigating your ship through tidal waves and probable death.
Going back to the map, there is a large number of places to explore. From big towns like Havana, to tiny islands hiding a treasure chest, the world has an awful lot to offer. Too much…some might say. I mean, it’s great, but there are so many tiny islands scattered around with Animus Fragments or chests on that getting them is definitely going to take some time, if you’re a completionist. There are also dive spots that are unlocked further on in the game, allowing Kenward to dive into ruins of sunken ships and underwater caves huntin’ fer treasure. These side missions are an interesting change of pace and scenery, although I have to applaud Edward’s talent to be attacked by sharks, jellyfish, eels and sea urchins all whilst retaining his gigantic lung capacity. It gets a bit silly but I’m sure that can all just be put down to Animus trickery! Also, from the beginning of the game, you can find pretty much all of the collectibles, which is weird when they are then introduced in the story in sequence 3 or 4. It just seems a little bit like the story writers didn’t correspond much with the collectable planners. Additionally, (and this is just a little peeve) at the very beginning of the game you can go around freeing captured pirates, who ‘thank ya, Captain’…but you’re not a captain yet! You’re just a nobody with a hood! But, ah, details…
The story itself is quite compelling, and I am interested to see where it goes (at point of writing I haven’t actually completed the game yet…). I’m also curious to explore the ‘real world’ and see what the aforementioned Abstergo are actually planning. The characters throughout the story are quite fleshed out, with Edward being a lot more likeable than Conor, even if he is a morally gray scallywag. Like previous Assassin’s Creed titles, and one of the things that draws me to the series, Black Flag‘s alternate history features many real life historical figures, including infamous pirates such as Blackbeard and Charles Vane. But I tend to spend most of my time pursuing the side missions and the dynamic quest system. As well as the aforementioned collectables, there are also Assassin contracts, Templar hunts, whaling (which I always feel very bad about), naval contracts and a few mini games to privilege yourself with. The story and side missions themselves mostly follow the basic Assassin’s Creed principles: following someone, eavesdropping, chasing someone, assassinating someone, infiltrating a restricted area etc. Unfortunately these do become a tad tedious, and whilst many of the missions encourage a stealthy approach in their optional objectives, there is no real consequence if you’re seen; you don’t desynchronise, and as I said the combat itself is pretty easy so you can easily fight off a horde of enemies quite quickly. Also, there are some missions that require you to ‘stealthily’ follow another ship…which is stupid because on the open sea I’m pretty a fat off pirate ship isn’t the most inconspicuous.
One thing that the Assassin’s Creed games do well is create an atmospheric environment, and Black Flag is no different. The rain and water graphics look amazing, and it’s great to go from running around a tropical island to a busy port town. The weather is brilliant, and on numerous occasions I have found chills running down my spine as I’m chased through foggy waters by a ghostly looking ship. Black Flag is definitely a welcome addition to what is generally a great series. It corrects what Revelations and AC: III did wrong and is definitely up there with AC: II and Brotherhood in my humble opinion. There’s lots to do in a beautiful world, and it just highlights the fact that there really aren’t enough pirate games out there!
Oh, and as it’s Ubisoft, you’re forced to play via uPlay. “What’s your uPlay name?” said no one ever. Gah! Though, I must say, it’s nice that achievements and accomplishments can actually be used to enhance your experience of the game. You have that going for you, uPlay. Well done. But that’s it!