It’s ok guys, it’s ok; there are THEORIES!
So the winner of the War of the Five Kings is….Balon Greyjoy!!! Ah, so another season of Game of Thrones comes to a climactic end. Whilst this season has arguably been the worst (of the best) so far, you cannot deny that the finale had some wonderful moments. Well, depending on your definition of wonderful. As it stands now, essentially every story has caught up or even overtaken the books – save for an entire side plot featuring the Greyjoy family which fans are hoping will make an appearance in season 6. This episode popped in to say hi with pretty much every ‘main’ character, so let’s start in the east and do a little banana shaped trip across Westeros and Essos.
The climactic scene of episode 9 was, of course, Daenerys flying off on Drogon. Now, Drogon is still a young’un and not fully grown, so it is understandable why he was hurt so badly from a few blades. We aren’t exactly sure where Daenerys has landed, but due to the arrival of the Dothraki, you can assume it’s somewhere within the Dothraki Sea, which is north of Meereen. It wasn’t revealed who the Khal of this particular khalasar is, but we know that what remains of Dany’s ties with the Dothraki is limited; will she be greeted with welcome arms, or a sword to the face? In the books, Drogon makes himself a home in a cave, which Daenerys calls Dragonstone after her old home. She also gets very ill and has the poos before she seen by a lone Dothraki scout, who then sends for the rest of the khalasar.
Further east, in Braavos, we saw the concluding chapter for Arya this season. After a bit more overkill with Meryn Trant’s evilness (yes, we get it, he’s a dick) Arya is able to finally act out her revenge, wearing the face of the girl that she helped mercy kill a few episodes ago, which was a pleasant scene to watch! What was interesting here was that we saw, in some form, how the faces actually work. They appear to literally be masks that the Faceless Men can chop and change as they please. Additionally, the show also implied truth behind a theory that many fans already speculated – that Jaqen H’ghar is just a face, not a person. Seemingly as punishment for going against the Many Faced God, Arya is now blind, and even that does happen in the books, but under slightly different circumstances.
Over the Westeros now. The slightly seemingly irrelevant Dorne scene concluded with the unexpected death (we assume, anyway) of Myrcella. It was kind of obvious as soon as Ellaria kissed her on the lips what would happen, but my mind was briefly taken away from thinking about it too much as soon as Tyene Sand said “bad pussy” and I cringed. I mean, really? As if the Sand Snakes couldn’t get any worse…. As mentioned prior, this whole side story differs quite dramatically from the books. To avoid mild book spoilers (for scenes that I am 95% sure will not appear in the show), skip ahead to the next paragraphs. Ok? Ok. Well, for starters, Jaime is off in the Riverlands, and nowhere near Dorne. Mycrella is still there, and is guarded by a member of the Kingsguard named Arys Oakheart. Doran Martell’s daughter, Arianne (who sadly does not appear in the show) seduces Arys and convinces him to make Myrcella queen, seeing as in Dorne, age matters in succession, not gender. The reason for this is to largely defy the Lannisters. Without going into too much detail, someone snitches, and Arianne’s little rebellion fails, with Myrcella losing an ear in the process and Areo Hotah (the big guy with the glaive that protects Doran) killing poor Arys. What do the Sand Snakes have to do with this? Well, not much…they kind of just bang on about revenge until Doran imprisons some of them, whilst Ellaria…also doesn’t do much, and is a lot nicer! So, anyway, the question that arises now is 1) how will Jaime react? And 2) how will Doran react? I’ve said before about how much I like House Martell in the books, and unfortunately they haven’t really shone in the series, but there is still in in season 6!
Right, King’s Landing. It was a shame that we didn’t get to hear of Margaery’s fate; so at this stage we have no idea what the High Sparrow has in store for her. In the books, Loras is off fighting on Dragonstone, and so the whole trial surrounding his sexuality doesn’t happen. Instead, Margaery’s own virginity is taken into question (bear in mind that book Tommen is about 8 or so, so they didn’t seal the deal). Nevertheless, I’m sure light will be shed on her early next season. No, instead, the focus was on Cersei and her brilliantly done walk of punishment. It was horrible to watch, in a good way…and it was just about long enough that you felt uncomfortable and, despite what you may think of the Queen-mother, sorry for her. The question that now of course is how will Cersei respond to this? Will she get revenge, or is she truly broken? As an interesting side note: lads, this was just a body double with Lena Headey’s head CGI’d on. Some people are complaining that it looked a bit rubbish, but honestly I don’t think you would know. We very briefly saw the return of Kevan Lannister, standing with Pycelle, in the Red Keep. Kevan has been acting ruler since Cersei’s imprisonment, whilst Tommen pouts in his room. We were also introduced to a new member of the Kingsguard….who looks somewhat familiar…but I can’t quite put my finger on it….
Everything that surrounded Winterfell was show-only stuff. In the books, we last we see of Stannis is that he is marching…forever marching. He does not engage the Bolton force. Sansa is still in the Vale with Littlefinger – in the series, she has taken the role of a character called Jeyne Poole, who marries Ramsay as a fake Arya. Nevertheless, Theon still steps up and leaps from the walls of Winterfell with her to freedom…only to run into Stannis’ army. Right…let’s talk about Stannis. Despite being a Stannis fan, I don’t feel as upset about his death as I thought I would. It was almost inevitable. He became such a tragic figure, and as I mentioned last week, truly desperate. But, like the man he is, he went down a trooper, in the most stoic, Stannis way possible. So, yes, whilst I am a bit gutted that the One True King is dead (in the series, anyway….), it’s almost a relief. Now, all the legit Baratheons are dead… On the plus side, Brienne finally got her revenge…at the expense of forgetting all about Sansa. Shame we didn’t actually get to see the fight, but I guess a lot of the budget was spent on Drogon and Lena’s head. Now, Melisandre…what is your game? You got the impression that her confidence in Stannis was waning as this season went on, especially after her interactions with Jon. Which brings us on to…
The Wall. Firstly, Sam. Now this conversation is carried out a little differently in the books, and it’s actually Jon who insists that Sam go to Oldtown to become a maester, pretty much as soon as he is elected Lord Commander. Sam also takes Gilly, the baby, and Aemon with him, the latter of whom still passes away, but during the journey. Melisandre never actually goes with Stannis, and stays at the Wall. As do Shireen and Selyse, who are still very much alive. The climactic events happen in a slightly different albeit somewhat similar way too. In the books, the Night’s Watch are annoyed at Jon not just due to his empathy with the Wildlings, but because he wants to attach Winterfell to remove the Boltons from power (and existence). The attack on Jon happens through the teary eyes of the Watch brothers, and is not led by Alliser Thorne. Jon is also not tricked about Benjen either – no, no one has heard from Benjen since A Game of Thrones. Also, Olly isn’t there, because that little bastard is a show only character. Nevertheless, Jon is assassinated “for the Watch”. This is where book readers are; “[h]e never felt the fourth knife. Only the cold.” BUT DON’T WORRY!!! Since this happened in A Dance With Dragons back in 2011, fans have been scrambling together any theories they can on how Jon might have somehow survived this assassination. Now, show Jon looked pretty darn dead to me, but that doesn’t necessarily mean that he will stay dead. One theory is Melisandre. She returns to the Wall, but for what purpose? We know she has a bit of an interest in Jon, and know that Red Priests have some sort of power that allows them to bring back the dead – think back to season 3 with Thoros and Beric. I believe that she will use her power to resurrect Jon. This may well change the Stark bastard, but changed Jon is better than no Jon, isn’t it? Kit Harington has said in a very recent interview that Jon is dead…but my argument is that he wouldn’t really turn about and go “nah he comes back”, right? RIGHT?! It also seems kind of weird that they would kill off our only real link to the Wall. Sure, Melisandre and Davos are now there too, but they are more supporting characters. There are also dozens of other theories surrounding Jon, such as his parentage, or whether he is some kind of ‘chosen one’, and whether the title A Song of Ice and Fire alludes to him partially. Also, he had his stare down with big baddie White Walker, the Night’s King in episode 8…surely that was not for nothing….right?! Well, until either The Winds of Winter or season 6 are released (the latter, I’m sure), I guess we can keep on speculating.
Well, now you have just under a year to kill. My advice? The same as last year: read the books. They are phenomenal, and further expand on this world that we know and love. As for me, I need to find some games to review…
9.9 this episode scored on IMDb! 9.9!! The highest rated Game of Thrones episode (on IMDb, anyway). Interestingly, this episode also featured a wide range of ‘show-only’ content. Which backs up my point that with the whole Dorne thing, book readers aren’t annoyed because it’s different: they are annoyed because it’s bad. Show-only folks feel the same. But this episode greatly restored my faith (which was never really dwindling, I swear) in the writers’ ability.
The book-to-show adaptations this week focused solely on Arya and Cersei’s stories. Cersei’s is pretty straight forward, continuing on from last week’s cliff-hanger. Arya’s, on the other hand, is slightly more convoluted and confusing. The question is, what is Arya actually doing? Well, it seems like she is training to become a Faceless Man, that’s for sure. To understand how to be another person, Arya must live the life of another person. Hence, she becomes the oyster seller. In the books, she talks the name Cat of the Canals – a nod to this can be seen during the scene when multiple cats cross her path. The ‘skinny man’ sat at the desk was essentially an insurance dealer (boo!) who had cheated a family out of their money. Arya has killed before, but for her own reasons, so it will be interesting to see how she deals with taking the life of someone who has done her no wrong.
Breaking away from the books, we are treated to a fantastic couple of scenes between the little Lion and the Dragon. As Tyrion has not yet met Daenerys in the books, this is all original stuff, save the “wheel” speech, which is said to another character. As Barristan is now sadly deceased, it appears that Tyrion will be taking his role (as advisor, anyway, not knight…though that would be good). Tyrion, obviously, knows the political scape of Westeros more than Dany, and doubts she would gain many supporters. However, the Martells were Targaryen supporters until the bitter end, after years of a love/hate relationship between the two. We still haven’t really seen the extent of the Martell’s power, as they tend to keep themselves to themselves…though I’m hoping more light will be shed on them in the final two episodes of the season.
Ok, time for the biggie. Beyond the Wall (which apparently has some sort of magic spell on it to stop Baby Sam from aging??) is a vast wasteland: the Lands of Always Winter. Very little is known about this area, save a few leagues from the Wall where rangers have explored. The Wildlings have scouted further, as far as Thenn, which is where the bald cannibal people from. Beyond that, however, it is largely uncharted, and the map just kind of fades off. Hardhome is a settlement situated on the east side of the Lands of Always Winter, geographically roughly the same distance north of the Wall as the Fist of the First Men (where the Night’s Watch set up camp in season 2). Hardhome has acted as a refuge for Free Folk all over. Leaderless, they have become shambles, and appear to be governed by a group of ‘elders’ representing each faction. We see the (brief) return of a character from season 2: Rattleshirt, or the Lord of Bones, before he is brutally bashed down by Tormund. This not only shows Tormund’s brutality, but also acts as a final nail in the coffin for another character: Mance. In the books, Melisandre puts a glamour spell on Mance, and disguises him as Rattleshirt, and vice versa. So, it’s actually Rattleshirt that dies on the pyre at Castle Black. Meanwhile, Mance goes incognito and heads south on a secret rescue mission. Book-readers may well have hoped that the same happened in the series, but, alas, it’s not to be.
The climactic scene gave us more information about the White Walkers than we have received in the books. Largely, this is due to the fact that this scene is show-only, and a lot of information on the White Walkers comes from gossip and Old Nan’s stories! Exciting times. Obviously, we still know very little about them – such as their motives, their intelligence, community etc. But it’s apparent they are a serious threat, which many Westerosi seem to poo-poo. Suddenly, the tribulations of King’s Landing seem irrelevant, now that we have seen the real enemy! It’s important to note that this isn’t just a ‘medieval Walking Dead zombie apocalypse’; this is full out war. These undead soldiers (known as Wights) are relentless and brutal, as opposed to your classic zombie which survives on instinct. No, these guys want to hurt you. And now we know how easily the White Walkers (also known as the Others in the books) resurrect their undead Wights. Just a simple ‘come at me, bro’ gesture and you’ve got yourself an army. We also got to see how they really do ‘bring the cold’, and the Wight’s sheer determination as they flung themselves off of a cliff in order to kill their prey. Another big reveal was the importance of Valyrian Steel. I think I have talked about this previously, but Valyrian Steel, as the name suggests, was originally forged by the Valyrians (see my post on episode 5 for information about them). It is said to be the strongest, sharpest metal around, and only a gifted few know the secrets of how to forge it. Known Valyrian Steel swords are few: Ned Stark’s massive sword, Ice, was melted down and presented to Joffrey on his wedding day, and to Jaime, who later passed it to Brienne as Oathkeeper. Samwell Tarly’s family also own one named Heartsbane. Littlefinger’s dagger that was used to try and assassinate Bran is also Valyrian Steel. To my knowledge, these are the only blades that have been mentioned in the books. There were many more, but they have been lost to time
This whole final scene was brilliantly shot, with some wonderful cinematography, and, in my eyes has made up for the awful Dorne scenes (especially choreography wise). And the sound; oh, the sound! I’ll be interested to see how the rest of the Watch react to Jon bringing bands of Wildlings and a Giant (whose name is Wun Weg Wun Dar Wun, or Wun Wun for short, if you were interested) to the Wall. Also, I’m awfully suspicious about that hooded figure navigating Jon’s boat at the end. He didn’t even turn round! I was half expecting it to be some sort of disguised White Walker…or, and I had my fingers crossed for this, that we would hear a voice “Jon?” *Jon looks down* “Uncle Benjen?!” BLACKOUT!
Next week’s episode is titled The Dance of Dragons, which is an obvious allusion to the title of the fifth book, A Dance with Dragons. Ramsay also mentioned how he would leave Stannis’ army as “a feast for the crows”, which is a nice little nod to the title of the fourth book, A Feast for Crows. Whether you think this season has been slow or not, it’s definitely apparent that it’s picking up now, with next week’s episode looking pretty darn epic, and episode ten will apparently “break the internet”…! Also, Oberyn died this time last year. Just saying.
RIP Old Flaydy.
Season 5 of Game of Thrones has indeed been a rollercoaster of mixed emotion to some. Whilst certain areas have most definitely dipped due to bad writing, directing or acting, I think that it is important to note that the good outweighs the bad. After season 4’s GO-GO-GO action packed attitude, it’s easy to look at 5 as being nothing but filler. It’s slower, definitely, but not slow. Personally, I thought that this episode was one of the better – they seem to be going in a bit of a pattern: good, ok, good, ok, good etc. The title The Gift is a bit of an odd one; it’s apparent that towards the end of the episode numerous characters have mentioned “gifts” – Ramsay’s ‘gift’ to Sansa, and obviously Jorah’s gift of Tyrion to Daenerys. However, the Gift is also the name of a stretch out land south of the Wall given to the Night’s Watch by an old Stark king. Funny that that wasn’t mentioned at all.
Let’s kick off by addressing the death of a fondly looked upon character, Maester Aemon. By now, we all know that Aemon was a Targaryen, so I thought I would provide a bit of information on his background, and “Egg.” At the beginning of A Game of Thrones, Aemon is already one hundred years old – an outstanding age to reach even by today’s standards…even more-so in cutthroat Westeros. Aemon was the third son of (who would later be king) Maekar Targaryen, who himself was a fourth born and only became king due to a string of unexpected family deaths. As a third born son, it was unlikely that Aemon would inherit the throne (that, and the Targaryen family tree is so complicated that there were tens of potential heirs). As such, he was sent to Oldtown, to the Citadel, to train to be a master at the age of nine or ten. When he completed his training, Aemon was sent back to sit on his father’s small council. However, good natured Aemon thought that this would undermine the current Grand Maester, and so he retired to Dragonstone to serve his older brother, Daeron. After Daeron’s death, many urged that Aemon take up the throne and become king. Aemon refused, and the recommended the crown go to his younger brother, Aegon (or “Egg” for short). Aemon then took himself to the Night’s Watch, thus quelling any uprising or rebellion that might be sparked in his name against his brother. Aemon served in the Night’s Watch for over fifty years, seeing many commanders rise and fall, including Brynden Rivers, a Targaryen bastard, who went on to become the Three-Eyed Raven (Crow in the books) that Bran seeks out. Aegon’s adventures can be read about in George R. R. Martin’s prequel novellas Dunk and Egg. So, all in all, Aemon Targaryen was a very nice man who gave up the throne and heard about the decline and decimation of his house from thousands of miles away. And now his watch has ended.
Further on south, we see the Sparrows orchestrating their own decline and decimation of not one, but two great houses. Whatever the outcome of these trials, you can bet your bum that the Tyrell’s name has been tarnished, as emphasised by Olenna’s lack of words during her exchange with the High Sparrow, who is revealing himself to be an extremely dangerous man. If found guilty, Loras and Margaery will be given the Mother’s Mercy, whatever that is. Additionally, if found guilty, I imagine that that’s the end of Margaery’s queenship right there! Similarly, the Lannisters now find themselves in a similar pickle. You may remember that cousin Lancel has a lot of beef on Cersei – including their own incestuous relationship, as well as hers and Jaime’s. This is where the religion of the Seven falls slightly short, though, as Targaryen families would often wed incestuously (causing some ill-fated offspring), and no one really bat an eyelid…not openly, anyway. If the accusations against Cersei prove true (I mean, we know they are), then you can bet your other sweet bum that Tommen’s kingship will be null, resulting in the throne passing to Stannis. This is purely speculation, as the books haven’t gotten that far yet, but I can’t help fearing a little for Tommen’s life. Myrcella’s too, though she is protected in Dorne and I don’t really care about her because this new actress is a bit pants. If Stannis is declared rightful king though, how will the Sparrows respond to his newfound Red God religion…? Either way, karma’s a bitch, Cersei.
As a side note, the terrifying women that imprisoned Cersei are known as the Most Devout. These are different from the Silent Sisters, who you may or may not know about: Silent Sisters are women who take a vow of silence and swear to serve the Stranger – the god of death. We have seen them quite a few times throughout the show’s history, tending to the dead. Usually they dress themselves in robes and bare a standard with the seven-pointed star on it. If you rewatch the series, have a look at the background detail and see if you can spot them. Make a game out of it. Most Devout, however, are the ruling council of the Faith. They used to serve the High Septon, but since his imprisonment they have become supporters of the High Sparrow. The only named Most Devout in the series so far is Septa Unella, the one that actually grabbed Cersei. Think of them as strict nuns.
Before I end, I think it’s important to comment on Theon/Reek’s position and why he told Ramsay about Sansa. Reek isa broken man – completely. We have seen this multiple times throughout season 4, such as when he was shaving Ramsay and Ramsay told him about the Red Wedding, or Yara’s awful rescue mission which I pretend never happened (she should have taken a leaf out of Sansa’s book and shouted “YOU ARE THEON GREYJOY!!!”). Theon is petrified of the Boltons. We know what Ramsay did to an extent – physically – but the emotional damage goes a lot deeper. He’s trained Reek like a dog: rewarding good behaviour, but severely punishing any sort of bad behaviour. This is why, I think, he has not told Sansa that Bran and Rickon are still alive – he knows what will happen to him if Ramsay finds out he told. Bad things. Very bad things. But Sansa is strong. She has endured this much, and with Stannis coming in from the north and Brienne watching from the south, I am really hoping that she gets what can only be described as a Game of Thrones happy ending.
That’s all for this week – nothing else really needs to be touched on. Jorah and Tyrion’s escapades were pretty self-explanatory, with the slavery and fighting pits mirroring that of ancient civilisations such as the Romans (see Gladiator). Meanwhile Stannis continued to become more and more likeable by refusing to burn his daughter. What a nice guy. Though I’m still certain that his batshit wife is going to do it. And Sam…..Sam became a man! Oh my. And even the Dorne scenes weren’t too bad this week! Of course, the real MVP is that brute that cut Tyrion free and Dany’s perfectly ironed dress.
Littlefinger….what is your endgame? You crazy man.
Unbowed, Unbent, Unbroken, or, Burning Cersei, is the sixth episode of season 5. Gosh we’re already over half way through! Interestingly, this is the third episode to feature a house’s words as its title, the first being the very first episode Winter is Coming, and the second being the end of the first season Fire and Blood. Fun fact. Anyway. Whilst some argue that season 5 has been a bit slow, I think the biggest disappointment is some of the plot changes. Now, this isn’t a book-fan complaining because there are changes; this is a book-fan complaining because some of the changes are absolute crap. For example, Loras’ trial. I have already expressed how they have ruined this bad-ass knight’s character, but what the hell was the trial? Granted, the outcome is interesting, and leads itself into a book-based plotline. However, the way it was executed was absurd: let’s listen to this one lower-class brothel worker against the whole of the royal family. Squires may be required to bathe their knights, which is a perfectly plausible reason for seeing this birthmark. The whole scene just felt rushed for the sake of moving the plot along. And what will happen to OlyvAR now that he has confessed? The Sparrows are ridiculously militant – which means that they should probably kill or torture him (the latter being part of their confession technique, in a fashion). And what was OlyvAR’s motif for confessing? Perhaps Cersei (or maybe Littlefinger?) paid him off? Nevertheless, one man against the entire royal family with no real proof? Not even the Sparrows are that insane. Guess we will see how this plays out… We alsoOl once again got to see how wet Tommen is, bless him.
My next aggression is with the Sand Snakes, again. Bronn aptly sums it up: “oh, for fuck’s sake”. These daughters of Oberyn are just ridiculous. Book Sand Snakes, whilst equally annoying, do at least have some logic behind what they want to do – albeit flawed. These guys? No idea. Oberyn repeatedly said that in Dorne, they do not hurt little girls. What do the Sand Snakes want to do? Hurt Myrcella. I think. I don’t even know. What I do know is that fight scene was all a bit too silly. Yes, yes, we understand that these are your trademark weapons, you two-dimensional shits, but really? A whip? REALLY? And Obara, the spear one…Jesus it’s just a bit cringey really! And if that cut somehow festers and kills Bronn, I swear down…! They’re misguided, I get that, but to the extent that I just want them all to die – Ellaria included. The Martells are my favourite family…in the books, but now it just seems to be show-Doran I like. Their resilience, patience and cunning has been replaced by misplaced vengeance and bad acting. As a side note, the setting of the Dornish scenes, the Water Gardens, is a small palace just down the road from Dorne’s capital, Sunspear. Oh, also, how the hell did Jaime and Bronn sneak into the Martell’s PRIVATE gardens in blood stained uniforms? JUST as, coincidentally, the Sand Snakes were doing their…thing. God I’m angry.
Moving on. Tyrion appeared to be the voice of reason, raising many good points as to how Daenerys would probably suck at ruling in Westeros. Jorah’s luck seems to go from bad to worse; not only did he learn about the death of his father, but has also contracted greyscale and been captured. ‘Tis not a good day to be a Mormont (though not as bad as Stark….). If you remember, the reason why Jorah fled Westeros to Essos was because he sold poachers into slavery – so it’s a somewhat ironic twist of fate given the position he is now in. His father was Jeor Mormont, Lord Commander of the Night’s Watch. Jorah’s crimes brought dishonour to his family, much to his father’s disappointment. In fact, the sword that Jon wields, Longclaw, was originally Jorah’s before he left.
Some quite interesting parallels can be drawn between Cersei and Tywin in this scene. Firstly, we see that she has taken up residence in his old office (is she acting as Hand of the King now…?). Additionally, during her scene with Olenna, the Queen of Thorns (yay!), she uses the Jack Donaghy technique of making her opponent wait, mimicking Tywin’s letter writing performance. However, this doesn’t stop her from getting burned by both Olenna and Littlefinger!
Before we discuss the ending I thought that I would touch on the Faceless Men. Essentially, these guys are elite assassins. This makes me doubt the Waif’s (the other girl in the House of Black and White) story, as Faceless Men cost an arm and a leg to employ. Only the richest can afford them. They can be hired to kill anyone, but at a lofty price. Furthermore, there is a theory that the Jaqen we see here is not the same as the one Arya met before; rather, Jaqen is just one of many faces! Oooh!
The climax of the episode (no pun intended) saw an emotional end to Ramsay and Sansa’s dream wedding. Poor Sansa can’t catch a break. Her character has gone a long way since she was last at Winterfell – to the point where she is beginning to become a player. We saw how brilliantly she handled Myranda earlier in the episode. Whilst the consummation of the marriage was awful, I think that she knew what was coming (no pun intended). Now, I’m in no way saying that what we saw wasn’t rape; it was, and it was horrible. But I think that it is important to note that Sansa, to quote producer Bryan Cogman, “isn’t a timid little girl walking into a wedding night with Joffrey. This is a hardened woman making a choice and she sees this as the way to get back her homeland.” It was horrible, unfair and quite emotional to watch (give Alfie Allen an emmy!) but she isn’t a silly little girl any more…she knew what to expect. The next question is, how will she react? I am just thankful that they changed this scene from the books, in which Ramsay makes Reek sexually…interact with his new wife (a cut character), which is extremely disturbing.
To conclude, it seems like episode most counterbalance one good scene with one bad. As I said before, I’m completely happy with a lot of the changes being made (you know, because my opinion matters), just not when they are replaced with flawed, badly written shite. Bring on episode 7, which looks a lot colder…
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
“I’ll never hurt her” – Oh, Ramsay, you bugger. You might not, but your jealous bitches might….
This episode seemed to feature a lot of paths crossing – which is pretty much all A Feast For Crows, the forth book, is. Let’s work our way from north to south, then. Many book fans continue to rejoice this season as we get to see Stannis for the stoic badass he is. He still seems to be all about power, whereas in the book he does actually want to save the Realm, but one thing at a time. Offering Jon the North (and the surname Stark) would grant him a massive number of allies (“the North remembers”). Jon, however, honourable as ever, turns it down. Now Lord Commander, it seems he really has his work cut out for him. He shows great signs of leadership by acknowledging Alliser Thorne’s worth, despite their dislike for one another, and belittling gingers. His choice to execute Janos Slynt was not an easy one – due to TV limitations, we don’t get to see Jon’s inner monologue like we do in the book, but he spends a time arguing with himself about what to do with Slynt; imprisonment, he believes, would lead to revenge and desertion. No, Jon must send a message. A book-famous line in which he calls to Edd “Edd, fetch me a block” was sadly omitted for “Olly, bring me my sword”. It’s one of those lines like “Only Cat” that is somewhat iconic in d’book world. Anyway, Jon follows in his father’s footsteps – “the man that passes the sentence should swing the sword” – and arguably avenges him. Remember back in Season 1, it was Littlefinger that held the dagger to Ned’s throat, but it was Janos Slynt, Commander of the City Watch, who was subdued by gold…the very reason Tyrion sent him to the Wall in the first place. And then, we get that very, very subtle nod from Stannis. Badass.
In the rest of the North, fans cry out in anguish as Littlefinger’s plans are revealed: to marry Sansa to Ramsay. As stated before, Sansa’s book story ends with her departing the Eyrie, so this is all new territory. Book Ramsay actually marries Sansa’s childhood friend, who has been made up to look like Arya, giving the Boltons another key to the North. This will be an interesting turn of events….I fear a bit for what Ramsay might do to Sansa, but Sansa is beginning to come into her own, becoming braver, cleverer, more manipulative. The North remembers. An interesting interaction is seen here between Roose and Littlefinger. Remember Littlefinger currently holds the East in his pocket, whilst Roose governs the North – though Roose clearly expresses that, now that Tywin is dead, he doubts the Lannister’s support. Are we going to see a Bolton/Baelish team-up? A little down the line, Brienne’s story is also new territory and very hard to predict. The main thing we get from her this episode is a bit of exposition and more Pod-love from the audience.
This episode featured perhaps my favourite Cersei/Margaery exchange. The young queen has been taught well, and knows exactly how to get on the Lannister’s tits and penis. Bear in mind that Tommen is only about 12 or 13, bless his cottons. I mean, in the book he’s 8, chubby, and would much rather spend his days stamping letters than ruling. I take back what I said last year, though, about not liking him because he is too old – I think that the direction they have taken his character in is a very interesting one, and allows Margaery to use her feminine wiles to manipulate him, but retaining Tommen’s innocence and charm. As a side note, it’s interesting that an underage actor has been featured in a sex scene like this. Obviously you don’t see anything, but book-Sansa has numerous, erm, encounters of a somewhat sexual nature, but due to Sophie Turner’s age they didn’t show it. So who knows why they have changed their minds…? Maybe it’s a female thing. Either way, I’m sure actor Dean-Charles Chapman had a great and awkward time filming. Margaery gave a li’l dig a Cersei for her drinking too; this feature is much more apparent in the books, as Cersei begins to put on a bit of weight and is never seen without wine, but the show has hinted at this just enough that watcher will go “OOOOHHHH!!!! NO SHE DIDN’T!” Sticking in King’s Landing, we meet the eponymous High Sparrow. So far, we have seen this holy man’s influence spreading in the form of the Sparrows (which Lancel Lannister is part of). The man in the brothel earlier was the High Septon, who is basically like the Pope. The High Sparrow seeks to eradicate the corruptness from the Faith of the Seven and restore it to purity.
So, before we have a quick check in with Arya, let’s look at religion in Westeros. You have the Old Gods, who are nameless, worshipped by the North partially through the Wierwoods. Then there is the Seven, the predominant religion throughout Westeros. The Seven consists of the Father, Mother, Maiden, Crone, Warrior, Smith and Stranger, each representing different parts of existence. Then there is the Red God, R’hllor, the Lord of Light. We see Melisandre worship this deity, as well the Red Priestess at the end of the episode. Then there is the Drowned God, worshipped by the Iron Born. Lastly, we have the Many-Faced-God, “the true face of all the gods”, whose statue can be seen in the House of Black and White. The Faceless Men believe that he is the only god, and he is the god of death. He is the same as the Stranger in the Faith of the Seven. There are many other little religions and cults across the world, but these are the biggest. As (another) side note, I often find that these articles are seven paragraphs long. A sign? A coincidence?
In fact, in the books, over thirty god statues stand in the House of Black and White, though it’s a little harder to make out which ones made the cut in the show. The important thing to remember is that the Faceless Men worship Death. Perhaps just a simple nod or a reveal, but the phrasing that Jaqen used to explain this to Arya was a lot like what Syrio said in Season 1……. To become a Faceless Man, Arya must lose her identity and become ‘no one’. Conveniently, though, she was able to find a hole in a rock just big enough for Needle to fit neatly in, so we won’t be losing that any time soon!
I think that’s all that needs explaining really. Tyrion’s story was quite self-explanatory – though which queen is Jorah taking him too? OoOoOoOoO! Let’s take a quick moment to appreciate the beauty of Volantis, where slavery runs rampant, and home to late Robb Stark’s later wife, Talisa. Now, the actor that played the Red Priestess Tyrion shared a moment with, Rila Fukushima, has appeared in films such as The Wolverine and numerous episodes of Arrow, implying that we may well see more of her. The actress was born in Japan, and is the first Asian person we have seen in the series. This is largely due to the fact that George R. R. Martin’s world’s equivalent to Asia, Yi Ti, largely keep to themselves. They may venture into Essos, as we see here, but rarely Westeros. That concludes this Episode Companion. See you next week!
The emotions that you will experience whilst playing this game are awfully akin to the series itself… Also these screenshots are taken from the internet and are not my own…sorry.
It’s about time we had a good A Song of Ice and Fire/Game of Thrones game. There is one, aptly named Game of Thrones, that I was going to do a review for, but it was so bad that I couldn’t play it. I’ve heard it gets better but….my goodness. So, thank you, Telltale, for a much-needed filling of an empty void!
I won’t go over what Telltale Games’ games entail; I’ve written about four of them now so go and read some of my old reviews, you lazy rascal. What’s instantly unique about Game of Thrones – A Telltale Game Series when comparing it to other titles such as The Walking Dead, The Wolf Among Us and Tales from the Borderlands is the departure from the somewhat signature Telltale ‘cartoony’ graphics. Instead, Game of Thrones meets us half way, forming an amalgamation of animation and real-life style graphics. The result….well, it grows on you. When I first started playing I was immediately disheartened by the seemingly bad graphics. The combination just didn’t seem to work – it seemed a shame, therefore, that Telltale had ditched their old ways for this title. Personally, I think seeing a Game of Thrones title utilising these graphics would have been pretty interesting! Instead, we have a watercolour painting gone wrong. The backgrounds are beautiful, a bit like an Edward Hopper painting (I Googled ‘watercolour artists’ and his name came up….), but the character models are a let-down. As you well know from my past reviews, Telltale characters tend to have quite a woody appearance at times as it is. Due to the ‘realism’ displayed in Game of Thrones, this vastly exaggerated. Characters just look dead-faced more often than not, resulting in a break in immersion that is only really saved by the pretty good voice acting. You do get used to it, after a while, but the resent lingers like the odour of yesterday’s ham.
But the main thing with any Telltale game is surely the story, right? Well, fortunately, Game of Thrones thrives in this category. It’s important to note here – which has disappointed some fans – is that this is a Game of Thrones game, not A Song of Ice and Fire. The reasons for this are probably numerous, but largely I think that it is down to the sheer popularity of the show. I love the books, but I feel Telltale made the right decision in basing it on the series: it enables them to utilise resources readily available to them, without the inevitable backlash from fans claiming that the Iron Thrones still hasn’t been accurately portrayed. The story kicks off at the end of season 3, and will lead up to season 5, running parallel with events from the TV series. The opening scene is set in a camp site. Bawdy men are joking about killing and fighting and other manly things. Your character, a squire named Gared, is sent off to fetch some supplies. Now, Gared is the squire to Lord Forrester, head of a Northern house loyal to the Starks. As Gared wanders past festivities left, right and centre, you’re greeted by a weaselly looking man wearing a stupid hat. “Oh!” I cry. “A Frey!” Suddenly, it all clicks, as the camera pans up and the Twins are revealed. “I know where we are…” I say to myself, as the Rains of Castamere begin to play. Then, all hell breaks loose, as the Red Wedding is in full swing. Gared must stumble back to Lord Forrester, amidst the battle waging around him. The emotion is there, but the whole area just seems pretty deserted and empty; sadly, despite being in a camp full of soldiers, this whole execution seemed pretty lacklustre. With current-gen consoles you would think that someone could have programmed in a few more fighting soldiers to, you know, make the whole thing seem a bit real. But hey. Moving on. So, yes, Gared is one of three characters that you play as in Episode One: Iron From Ice. The other two are Ethan Forrester, one of Lord Forrester’s sons, and Mira Forrester, a daughter who is in service to Margery Tyrell at King’s Landing. Like Tales from the Borderlands, jumping from character to character could be disorderly and incoherent, but the game pans out just like an episode of Game of Thrones, and with that in mind, it works. There are plenty of “oh shit!” moments, accompanied by some emotional heartbreaks and violent action. So your standard Game of Thrones recipe (albeit no boobs…yet). Without giving too much away, the events brilliantly kick-off this new chapter in the GRRM universe and leave you wanting more.
As mentioned, voice acting is close to top notch in Telltale’s Game of Thrones. Natalie Dormer, Peter Dinklage, Lena Headey and Iwan Rheon all lend their voices to the game, enabling this little adventure to sit canon with the series. Speaking of, Ramsay Snow gets some more limelight here, ever emphasising what a cruel, brilliant character he is. Ethan Forrester’s voice initially makes you want to punch him in the face, but you get over it pretty quickly. I, for one, am looking forward to seeing what other beloved characters show up to aid (or hinder) the Forrester’s tale.
Like all Telltale games, episodes will be released at regular intervals, so you have plenty of time to catch up before Episode 2: The Lost Lords is released in February. Of course, if you want the full experience, then wait until all episodes are released and play in one fell swoop. Although, unlike previous Telltale games, Game of Thrones will feature six episodes instead of five, so see you in a year! There are a few bumps in the road, but all in all Telltale have created another wonderful addition to their portfolio, and have finally given fans the Game of Thrones game that George R. R. Martin would be proud of!
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
I want Jaime’s
After the slight disappointment of last week’s episode, “Oathkeeper” restored my faith (that was never really dwindling) in the series. And it did something even more magical: it made me actually quite excited at the prospect of the series differing from the book. Stay tuned to find out more.
A big theme in “Oathkeeper” seemed to be character relationships – some deteriorating, some growing – most of which had Jaime at the centre. It seems like the show is pulling an X-Men: Origins and bypassing the rape-that-may-or-may-not-have-actually-been-a-rape. So Jaime is back to being likable: huzzah! We’re treated to some wonderfully performed scenes between him and Brienne, Cersei, Tyrion and Bronn. So let’s tackle them in reverse, just for fun. The idea to have Bronn fill Ilyn Payne’s shoes just keeps getting better and better. This week Bronn didn’t just deliver funtastic banter – he actually showed some humanity and persuaded Jaime to go and speak to Tyrion. Not only did give Bronn’s character more depth, but it also showed that he does actually care about the fate of Tyrion, which is nice to know. So, Jaime and Tyrion. Despite the fact that they are obviously quite close, we haven’t really seen that much interaction between the two of them, apart from in the first couple of episodes and some of the most recent, so this is always a welcome scene-share to see. It’s also very reassuring to see that Jaime doesn’t believe that it was Tyrion that murdered Joffrey…for what good it does. As much as I’m sure everyone would love to see Jaime fighting his way out of King’s Landing with Tyrion on his back (waving an axe, obviously) after breaking him free of the cells, I don’t think that that is going to happen. Jaime faces an eternal predicament – does he side with his brother whom he loves and knows is in the right, or does he side with his sister whom he loves and knows is a total bitch. As one relationship grows, the other fades. I think that he is in love with the idea of Cersei rather than Cersei herself: they have been together their whole lives, quite literally, and thus that has become the norm. Anything else is different. And different is scary. Cersei, on the other golden hand, blames Jaime for everything. “You took too long”, “you let him die.” Bear in mind that since his departure, she has also been having sexy sex with her dear cousin Lancel et al. Perhaps the most heart-warming scene in the episode, was Jaime and Brienne. I still don’t know how Brienne sees Jaime: does she love him as a brother, or a lover (though, this is Game of Thrones, so are the two mutually exclusive?) Either way, their relationship grows and grows, and as I said before, I just want to see them ride off and have wacky adventures (with Tyrion on their backs waving an axe, obviously). But unfortunately that also doesn’t look like it will happen anytime soon. Though Pod is joining her!
Part of the reason why the Jaime and Brienne scene (in which he presents her with the eponymous Oathkeeper) was so powerful was because of Brienne’s background: despite being a highborn woman, she has never been treated this kindly before. Her life has been ridicule after ridicule. It wasn’t really until Renly that she saw any kindness, and that ended very quickly. Speaking of Renly, the blue armour that Jaime gifts Brienne may be a nod to, in the bookiverse, Renly’s Rainbow Guard. Yes, the book didn’t have any scenes of Renly secretly porking Loras. Instead, his homosexuality was portrayed via subtle/not subtle hints. Instead of naming his king’s guard his King’s Guard, he names them the Rainbow Guard, and gives them all lovely rainbow cloaks. There were seven members of the Guard (seven gods, you get the picture) and Brienne was ‘the Blue’. The blue colour may also allude to her home of Tarth, the Sapphire Island. So there are some fun facts!
Book fans will rejoice at the inclusion of Tommen’s cat, Ser Pounce. Though he is a kitten in the books, I think that this will suffice. After seeing this story progress a little, I take back my comment about Tommen being too old. It looks like they are drawing on the nativity that he may face as a pre-pubescent male behoved to a super-hot sex diva. I mean, that scene in the bedroom was like every boy’s wet dream. “Shh, it’s our little secret”.
The title “Oathkeeper” may also refer to the scenes surrounding the Night’s Watch. The story up north is perhaps where this episode differed mostly from the books (if you were to draw a book to series comparison chart, it would look like a spikey double-helix, methinks) but it all works. Firstly, Locke is there. You know, the Bolton man that cut Jaime’s hand off. He was told by Reek via Ramsay that Bran is still alive, so it seems that he has come to Castle Black with hopes of finding and eliminating him, thus strengthening Roose Bolton’s claim to the North. Jon has a lovely “oh captain, my captain” moment as he recruits Brothers to help him take back Craster’s Keep, where Bran has now been captured. Interestingly, in the books Jon has literally no idea that Bran is still alive – but it appears that Sam dropped the ball and let it slip. The whole story at Craster’s Keep is written solely for the show too. After the mutiny there, and the death of Jeor Mormont, the Keep is never revisited. But the show gives Jon good reason to go back there, what with Mance on the way, to silence his traitorous ex-Brothers. Also we get to see more of Burn Gorman, which is always welcome. Furthermore, the climactic scenes gave us something that even the book hasn’t covered yet: a look into the Lands of Always Winter, which is, like, mega north. And (now this very exciting) the White Walker community! So it’s confirmed that Craster’s sons essentially became Wights (quick recap, the Others, or White Walkers, are the beings that ‘bring the cold’ and create the Wights, whereas the Wights are the zombies). This is big, guys. This ‘leader’ of the White Walkers has been nigh confirmed as a character called the Night’s King. Long story short, this is a character who features quite majorly in A Song of Ice and Fire lore. He was a Lord Commander of the Night’s Watch, and fell in love with a female White Walker. Some say that he was a Stark, as his brother (who later killed him) was the King in the North. If he is the Night’s King and/or leader of the White Walkers, this answers a lot of as of yet unproved theories…whilst, obviously, raising even more. HBO referred to the character in various episode guides. Since the episode premiered, the name has been changed to ‘White Walker’. Now, did HBO make a typo, or have they accidentally revealed a major spoiler that not even the book readers have seen yet? This is exciting.
Goodness I’m all giddy. I’ll close with a few comments on Dany’s opening scene, which was very strong, especially considering recently hers have been a bit meh. Talk soon becomes action as Daenerys takes Meereen, the final city in Slaver’s Bay. Grey Worm’s character is fleshed out a lot more than it is in the books, which is brilliant. And Daenerys…well, make what you will of her. Is she doing the wrong thing for the right reasons? Barristan Selmy, who served her father, tries to dissuade her from punishing the slave Masters, but she doesn’t listen. Perhaps, for that moment, he remembered that she was her father’s daughter. Daenerys has already shown a few signs of slight madness – are we seeing her slowly, but surely, fall deeper into insanity?
Oh, also, so Joffrey’s murder was pretty much unraveled (go back and pay close attention!) But now new questions arise: were Littlefinger and Grandma Tyrell working together? Or did Littlefinger find out about Olenna’s intentions and take advantage of it? What’s clear is that Margery was not involved, and had no knowledge of the plan, yet still knows that now she must manipulate Tommen as she did Joffrey. These Tyrells, man – they have a game plan. A Game of Thrones plan. Ayyyyy!