Littlefinger….what is your endgame? You crazy man.
Unbowed, Unbent, Unbroken, or, Burning Cersei, is the sixth episode of season 5. Gosh we’re already over half way through! Interestingly, this is the third episode to feature a house’s words as its title, the first being the very first episode Winter is Coming, and the second being the end of the first season Fire and Blood. Fun fact. Anyway. Whilst some argue that season 5 has been a bit slow, I think the biggest disappointment is some of the plot changes. Now, this isn’t a book-fan complaining because there are changes; this is a book-fan complaining because some of the changes are absolute crap. For example, Loras’ trial. I have already expressed how they have ruined this bad-ass knight’s character, but what the hell was the trial? Granted, the outcome is interesting, and leads itself into a book-based plotline. However, the way it was executed was absurd: let’s listen to this one lower-class brothel worker against the whole of the royal family. Squires may be required to bathe their knights, which is a perfectly plausible reason for seeing this birthmark. The whole scene just felt rushed for the sake of moving the plot along. And what will happen to OlyvAR now that he has confessed? The Sparrows are ridiculously militant – which means that they should probably kill or torture him (the latter being part of their confession technique, in a fashion). And what was OlyvAR’s motif for confessing? Perhaps Cersei (or maybe Littlefinger?) paid him off? Nevertheless, one man against the entire royal family with no real proof? Not even the Sparrows are that insane. Guess we will see how this plays out… We alsoOl once again got to see how wet Tommen is, bless him.
My next aggression is with the Sand Snakes, again. Bronn aptly sums it up: “oh, for fuck’s sake”. These daughters of Oberyn are just ridiculous. Book Sand Snakes, whilst equally annoying, do at least have some logic behind what they want to do – albeit flawed. These guys? No idea. Oberyn repeatedly said that in Dorne, they do not hurt little girls. What do the Sand Snakes want to do? Hurt Myrcella. I think. I don’t even know. What I do know is that fight scene was all a bit too silly. Yes, yes, we understand that these are your trademark weapons, you two-dimensional shits, but really? A whip? REALLY? And Obara, the spear one…Jesus it’s just a bit cringey really! And if that cut somehow festers and kills Bronn, I swear down…! They’re misguided, I get that, but to the extent that I just want them all to die – Ellaria included. The Martells are my favourite family…in the books, but now it just seems to be show-Doran I like. Their resilience, patience and cunning has been replaced by misplaced vengeance and bad acting. As a side note, the setting of the Dornish scenes, the Water Gardens, is a small palace just down the road from Dorne’s capital, Sunspear. Oh, also, how the hell did Jaime and Bronn sneak into the Martell’s PRIVATE gardens in blood stained uniforms? JUST as, coincidentally, the Sand Snakes were doing their…thing. God I’m angry.
Moving on. Tyrion appeared to be the voice of reason, raising many good points as to how Daenerys would probably suck at ruling in Westeros. Jorah’s luck seems to go from bad to worse; not only did he learn about the death of his father, but has also contracted greyscale and been captured. ‘Tis not a good day to be a Mormont (though not as bad as Stark….). If you remember, the reason why Jorah fled Westeros to Essos was because he sold poachers into slavery – so it’s a somewhat ironic twist of fate given the position he is now in. His father was Jeor Mormont, Lord Commander of the Night’s Watch. Jorah’s crimes brought dishonour to his family, much to his father’s disappointment. In fact, the sword that Jon wields, Longclaw, was originally Jorah’s before he left.
Some quite interesting parallels can be drawn between Cersei and Tywin in this scene. Firstly, we see that she has taken up residence in his old office (is she acting as Hand of the King now…?). Additionally, during her scene with Olenna, the Queen of Thorns (yay!), she uses the Jack Donaghy technique of making her opponent wait, mimicking Tywin’s letter writing performance. However, this doesn’t stop her from getting burned by both Olenna and Littlefinger!
Before we discuss the ending I thought that I would touch on the Faceless Men. Essentially, these guys are elite assassins. This makes me doubt the Waif’s (the other girl in the House of Black and White) story, as Faceless Men cost an arm and a leg to employ. Only the richest can afford them. They can be hired to kill anyone, but at a lofty price. Furthermore, there is a theory that the Jaqen we see here is not the same as the one Arya met before; rather, Jaqen is just one of many faces! Oooh!
The climax of the episode (no pun intended) saw an emotional end to Ramsay and Sansa’s dream wedding. Poor Sansa can’t catch a break. Her character has gone a long way since she was last at Winterfell – to the point where she is beginning to become a player. We saw how brilliantly she handled Myranda earlier in the episode. Whilst the consummation of the marriage was awful, I think that she knew what was coming (no pun intended). Now, I’m in no way saying that what we saw wasn’t rape; it was, and it was horrible. But I think that it is important to note that Sansa, to quote producer Bryan Cogman, “isn’t a timid little girl walking into a wedding night with Joffrey. This is a hardened woman making a choice and she sees this as the way to get back her homeland.” It was horrible, unfair and quite emotional to watch (give Alfie Allen an emmy!) but she isn’t a silly little girl any more…she knew what to expect. The next question is, how will she react? I am just thankful that they changed this scene from the books, in which Ramsay makes Reek sexually…interact with his new wife (a cut character), which is extremely disturbing.
To conclude, it seems like episode most counterbalance one good scene with one bad. As I said before, I’m completely happy with a lot of the changes being made (you know, because my opinion matters), just not when they are replaced with flawed, badly written shite. Bring on episode 7, which looks a lot colder…
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
This episode was fantastic, in my most honest and humble opinion. Whilst sections diverged from the books slightly, it was all very well written and coherent. My only gripe this week was the Meereen scenes, so we will dust over that first.
Some people are outraged/confused about the whole Grey Worm/Missandei thing. Two arguments have arisen here: 1) THAT’S NOT IN THE BOOKS! And 2) but he is a eunuch! Whilst these are both true, I believe that this little filler story is just a harmless side plot. Firstly, no, nothing like this is in the books – I mean, book-Missandei is only ten years old, for starters. And Grey Worm has no interest in her. In fact, if I remember correctly, the two barely interact. But that isn’t a pivotal plot point, I don’t think, and ergo it can be altered and changed to add some show content. So calm your booky faces. Now, I’m no scientist man, but I think that the fact that he is a eunuch may mean that he has no sexual desires at all – isn’t that the point? So I think that his attachment to Missandei is purely on an emotional level. In the books, it is stated that the Unsullied often go to the brothels to lay with the girls, just for comfort. Perhaps Grey Worm’s infatuation is driven by the same desire? Also boobs. But anyway, that scene wasn’t what let the episode down – no, that honour goes to Daenerys. Jorah’s exile should have been a much bigger deal. I mean, how many “Lord Friendzone” jokes are there out there? In the books, this scene is heart-breaking, and unfortunately I think it is one of those ones that just hasn’t translated too well. I think that this is partly down to the writing for that scene, and partly down to Emilia Clarke’s acting, who seems to be getting progressively worse. I don’t know. I think that she was going for the whole “numb” approach, which is fine, but it just didn’t have the emotional impact that it should have. To add some context, in the books, Barristan and Jorah’s ‘reveals’ happen at the same time: Before Joffrey dismisses him, book-Barristan sat on Robert’s Small Council meetings, and as a result knew about Jorah’s spying from day one. After leaving King’s Landing, he dons the disguise of Arstan Whitebeard – an old man – and seeks out Daenerys. He finds her as early as Qarth, still under the guise, and joins her. For obvious reasons, this couldn’t really be done in a TV adaptation, as we would all know who he was. Anyway, eventually Barristan’s disguise is revealed, and Jorah’s all like “you’re spying on her!” and then Barristan is like “mate, you’re spying on her!” The reason why Jorah is exiled and Barristan isn’t, in a nutshell, is because Barristan comes clean straight away and apologises (Dany still punishes him), whereas Jorah just makes excuse after excuse about his spying and never actually apologises. With a heavy heart, Daenerys banishes him. It’s a shame that this hasn’t been translated well, because obviously it’s quite a big deal, and one that has been bubbling for a while now. I’m starting to think that every episode has one ‘meh’ scene in it…
But there were plenty of good ones to counteract it, s’not all bad! At the Wall, the Wildlings have reached Mole’s Town, and are closing in fast. In fact, episode 9 of this series is going to be another Blackwater-esque episode; that is so say, one fat off battle at Castle Black. According to the episode director, it’s going to dwarf Blackwater. Is that a pun? That might be a pun.
Staying in the north, can we please just take (another) moment to appreciate Alfie Allen’s portrayal of Reek? I know I keep going on about this, but it’s absolutely brilliant. You could see how constantly petrified, broken and terrified he is, especially considering he was this cocky little so-and-so in the earlier seasons. So the story here is that Ramsay wants to please Daddy Bolton by taking the stronghold that is Moat Cailin (we saw it in the opening credits). Moat Cailin is an extremely strategically placed fortress, built in the centre of the swampy lands that separate the Northern Kingdom and the south of Westeros. The Ironborn took it over when Balon Greyjoy decided again that he wanted the North…and just kind of sat there. Reek manages to convince them to leave, promising them safe passage…and then they get flayed. If you were wondering what Reek was muttering through the scene, it was “Reek, Reek, rhymes with meek” – a rhyme (or variation of) that he repeats consistently throughout the book to remind himself ‘who he really is’. Anyway, in a “one day, all of this will be yours” kind of manner, Roose Bolton, pleased with his bastard, rewards him by legitimising him – he is no longer Ramsay Snow, but Ramsay Bolton. And if you didn’t work it out, that castle that there were heading to at the end of their scene was Winterfell – Roose, as Warden of the North, is claiming the castle as his seat of power.
In the Eyrie, Littlefinger is being confronted about Lysa’s sudden, suspicious death. The three people interrogating him are Lord “Bronze” Yohn Royce (who lead the interrogation), Lady Anya Waynwood, and Ser Vance Corbray. The former two are the heads of houses sworn to House Arryn, and the latter is a knight from another noble house in Vale. What’s interesting here is that this may well have been the first time that we see Littlefinger without a plan. Pushing Lysa out of the Moon Door was quite impulsive, I think, and he may not have considered the consequences. For all he knew, Sansa would spill the beans, which would probably have resulted in fox lord Baelish following in his wife’s footsteps… But, luckily for him, Sansa has picked up a few things in her time at King’s Landing, and uses her own weapon – her tears – to defend Petyr. Oh yes, introducing a new player to the Game: Sansa Stark. These two are going to make quite a formidable team, I think – especially when you think about how much combined influence they have together: Petyr Baelish has the Vale (which is pretty darn big) and Harrenhal (also pretty darn big), whereas Sansa is the key to the North (pretty darn biggest). Fun bit of trivia – Lord Yohn Royce’s son, as Sansa mentioned, joined the Night’s Watch. He was one of the first people we saw brutally die in the very first Game of Thrones episode, in the prologue. So that’s nice to know.
Ok, so once again the climax of the episode was King’s Landing, which is generally where shit’s going down. Tyrion’s beetle story was a show-only inclusion, and fans have been baffled about what it meant. There is no right answer, really, so you can decide for yourself – though I think it may allude to how pointless all the killing in Westeros is, and how the gods (if they exist) really don’t seem to care. Another lovely speech though.
On to the main event of “The Mountain and the Viper”…the Mountain and the Viper! In my opinion, this scene was done perfectly. I was worried that Oberyn’s shouting may have been drowned out by
the sound of steel on steel, but the fight was paced very well, allowing intervals of mocking-to-hysterical shouting. It was brilliant, epic and gave me chills. Sure, some of the choreography was different to how it is described in the book, and the Mountain didn’t accidentally slice an innocent bystander in half during the fight (yeah…) but who cares – it was exciting, tense and very impressive. But, alas, Oberyn’s hubris got the better of him. See, he had multiple chances to kill the Mountain where he stood. But Oberyn didn’t simply want to kill Gregor Clegane: he needed a confession. There is a passage in the book where Oberyn says something along the lines of “if you die before confessing, I will hunt you through the seven hells”. The Red Viper of Dorne is a renowned fighter, and it shows – and to take down the Mountain is no easy feat. But unfortunately Oberyn makes one wrong move, and it costs him um…pretty dearly. Whether the Mountain died or not is not yet revealed, although even if he did, Tyrion still lost the trial as his champion died first. What’s important to remember here too is that Oberyn wasn’t just some knight or sellsword; he was a Prince of Dorne…I don’t imagine that his death, despite the fact that he willingly put his life on the line, will go down well back home.
I have seen a lot of posts on t’internet in the last few days in which people have been posting their anger at Oberyn’s death. Not the gruesome, horrible manner of it – but the death itself. People claiming that it was only done for shock value, for example. This is all wrong. Events such as Ned’s death, the Red Wedding, and the outcome of this fight are obviously shocking, but that’s not why they’re there. There are very few “good guys” or “bad guys” in Game of Thrones; pretty much everyone is morally grey. Oberyn, no matter how awesome, died due to his own neglect. In a recent post I read on reddit, one user summed it up perfectly: “the whole point of the Song Of Ice And Fire is that characters face the consequences of their actions whilst playing the game of thrones. Ned died because he was naive and put his trust in the wrong people. Roose/Ramsay are still alive because they are playing the game correctly by being intelligent in regards to their alliances.” There is a much deeper meaning than just ‘GRRM likes to kill off characters’ – there is a reason behind all of their deaths. I just hope that fans can see that, and don’t just look at is as ‘an attempt to top the Red Wedding’.
To tide you over, here is Arya’s slightly maniacal laugh, accompanied by the biggest “….fuck” face I have seen, on the Hound. DON’T READ THE YOUTUBE COMMENTS.