The emotions that you will experience whilst playing this game are awfully akin to the series itself… Also these screenshots are taken from the internet and are not my own…sorry.
It’s about time we had a good A Song of Ice and Fire/Game of Thrones game. There is one, aptly named Game of Thrones, that I was going to do a review for, but it was so bad that I couldn’t play it. I’ve heard it gets better but….my goodness. So, thank you, Telltale, for a much-needed filling of an empty void!
I won’t go over what Telltale Games’ games entail; I’ve written about four of them now so go and read some of my old reviews, you lazy rascal. What’s instantly unique about Game of Thrones – A Telltale Game Series when comparing it to other titles such as The Walking Dead, The Wolf Among Us and Tales from the Borderlands is the departure from the somewhat signature Telltale ‘cartoony’ graphics. Instead, Game of Thrones meets us half way, forming an amalgamation of animation and real-life style graphics. The result….well, it grows on you. When I first started playing I was immediately disheartened by the seemingly bad graphics. The combination just didn’t seem to work – it seemed a shame, therefore, that Telltale had ditched their old ways for this title. Personally, I think seeing a Game of Thrones title utilising these graphics would have been pretty interesting! Instead, we have a watercolour painting gone wrong. The backgrounds are beautiful, a bit like an Edward Hopper painting (I Googled ‘watercolour artists’ and his name came up….), but the character models are a let-down. As you well know from my past reviews, Telltale characters tend to have quite a woody appearance at times as it is. Due to the ‘realism’ displayed in Game of Thrones, this vastly exaggerated. Characters just look dead-faced more often than not, resulting in a break in immersion that is only really saved by the pretty good voice acting. You do get used to it, after a while, but the resent lingers like the odour of yesterday’s ham.
But the main thing with any Telltale game is surely the story, right? Well, fortunately, Game of Thrones thrives in this category. It’s important to note here – which has disappointed some fans – is that this is a Game of Thrones game, not A Song of Ice and Fire. The reasons for this are probably numerous, but largely I think that it is down to the sheer popularity of the show. I love the books, but I feel Telltale made the right decision in basing it on the series: it enables them to utilise resources readily available to them, without the inevitable backlash from fans claiming that the Iron Thrones still hasn’t been accurately portrayed. The story kicks off at the end of season 3, and will lead up to season 5, running parallel with events from the TV series. The opening scene is set in a camp site. Bawdy men are joking about killing and fighting and other manly things. Your character, a squire named Gared, is sent off to fetch some supplies. Now, Gared is the squire to Lord Forrester, head of a Northern house loyal to the Starks. As Gared wanders past festivities left, right and centre, you’re greeted by a weaselly looking man wearing a stupid hat. “Oh!” I cry. “A Frey!” Suddenly, it all clicks, as the camera pans up and the Twins are revealed. “I know where we are…” I say to myself, as the Rains of Castamere begin to play. Then, all hell breaks loose, as the Red Wedding is in full swing. Gared must stumble back to Lord Forrester, amidst the battle waging around him. The emotion is there, but the whole area just seems pretty deserted and empty; sadly, despite being in a camp full of soldiers, this whole execution seemed pretty lacklustre. With current-gen consoles you would think that someone could have programmed in a few more fighting soldiers to, you know, make the whole thing seem a bit real. But hey. Moving on. So, yes, Gared is one of three characters that you play as in Episode One: Iron From Ice. The other two are Ethan Forrester, one of Lord Forrester’s sons, and Mira Forrester, a daughter who is in service to Margery Tyrell at King’s Landing. Like Tales from the Borderlands, jumping from character to character could be disorderly and incoherent, but the game pans out just like an episode of Game of Thrones, and with that in mind, it works. There are plenty of “oh shit!” moments, accompanied by some emotional heartbreaks and violent action. So your standard Game of Thrones recipe (albeit no boobs…yet). Without giving too much away, the events brilliantly kick-off this new chapter in the GRRM universe and leave you wanting more.
As mentioned, voice acting is close to top notch in Telltale’s Game of Thrones. Natalie Dormer, Peter Dinklage, Lena Headey and Iwan Rheon all lend their voices to the game, enabling this little adventure to sit canon with the series. Speaking of, Ramsay Snow gets some more limelight here, ever emphasising what a cruel, brilliant character he is. Ethan Forrester’s voice initially makes you want to punch him in the face, but you get over it pretty quickly. I, for one, am looking forward to seeing what other beloved characters show up to aid (or hinder) the Forrester’s tale.
Like all Telltale games, episodes will be released at regular intervals, so you have plenty of time to catch up before Episode 2: The Lost Lords is released in February. Of course, if you want the full experience, then wait until all episodes are released and play in one fell swoop. Although, unlike previous Telltale games, Game of Thrones will feature six episodes instead of five, so see you in a year! There are a few bumps in the road, but all in all Telltale have created another wonderful addition to their portfolio, and have finally given fans the Game of Thrones game that George R. R. Martin would be proud of!
I have finished it and I want more!
Developed by Telltale Games, the same studio that produced The Walking Dead and Sam and Max games, The Wolf Among Us is (what I would describe as) a point-and-click-multiple-choice-crime-noir-episodic-adventure game. Like The Walking Dead, upon starting The Wolf Among Us, you’re greeted with a message that says “this game series adapts to the choices you make. The story is tailored to how you play.”Goodness, I thought to myself, how exciting! Whilst the overlying plot is always essentially the same, how it pans out and how you get there is down to the choices you make. But we will come to that in a bit once I explain the amazing premise of this game.
The Wolf Among Us is set in the same universe as the Fables comic series, published by Vertigo (DC). The comics were first released in 2002, but I will admit I had never heard of them until playing this game, and I’m a self acclaimed comic nerd! For shame… In the world of Fables, various characters from fairy tales, fables and folklore have been evicted out of their homelands, and are forced to live among normal human beings (“mundies”) – some of which resides in New York City, in a community known as Fabletown. To protect themselves, the Fables must keep their identities hidden from mundies and the outside world, and as such use magic to keep themselves safe. Many of the anthropomorphic animal Fables, or Fables such as trolls or giants that cannot pass as human, must use glamours to disguise themselves. But glamours aren’t cheap, and many Fables cannot afford them – these Fables are sent to The Farm, which is supposed to be a safe-haven but is apparently more like a prison. The idea of incorporating fairy tale characters into the real world has indeed been done before, but nothing on this scale, I think. The Fables must overcome real life obstacles and band together to survive, lest they all fall apart. Some characters such as Bluebeard (who was a personal favourite of mine) are doing quite well for themselves, whereas others like the Little Mermaid have a much sadder tale to tell.
The story of The Wolf Among Us follows a gritty murder investigation in Fabletown – this game is not for the faint of heart! You play as Bigby “The Big Bad” Wolf. Yeah, that’s right. You’re the Big Bad Wolf. Bigby (Big B, get it?) is the sheriff of Fabletown, and is trying to relinquish himself from his past of killing grandmothers and blowing down pig’s houses to help his fellow Fabletown citizens. When one of their own is murdered, Bigby must hunt and track down the killer, avoiding detection from the outside world, and gain the trust and respect of the sceptical Fabletown citizens. That’s the gist of it really, without spoiling anything else. But surely that’s enough to entice you into the game? I know it was for me. But if not, let’s talk about the gameplay.
If you have played The Walking Dead, then you know what to expect. The game is made up of five episodes that were released bi-monthly from October 2013 to July 2014. Playing The Wolf Among Us is like watching an interactive series. A large part of the game is cutscenes, but at every conversational fork in the road, you must make a decision. For example, a character may ask Bigby how he’s feeling. You have the choice to respond “Fine”, “Great, thanks”, “Fuck off”, or “…”. How you respond will influence how the story pans out and how characters act towards you. Ask the right questions, and you’ll get the right answers. It’s like LA Noire, but not painstakingly boring. Out of conversation, you control Bigby through means of point-and-click gameplay. Each explorable area has a number of objects that you can look at or pick up to try and uncover clues and information, and piece the investigation together. There are also a number of quick time events to keep you on your toes during a couple o’ little brawls, but these are infrequent enough for them not to get boring and stale. Throughout the game, you also uncover character and event dossiers in the form of The Book of Fables, which is a great little add-on to help keep track of who people are and learn some of the lore surrounding Fables.
The game’s visual design is again similar to that of The Walking Dead: it’s almost animated. It’s a very unique art style that plays out well with the story. My one gripe is that sometimes characters’ movements and facial expressions looked a little robotic, but I can let that slide – it’s still immersive as hell. Musically, the score is brilliant at creating the exact atmosphere that the developers desired, and really adds to perilous mood. It’s that kind of score that you don’t really notice at first, but when you notice it it makes the scene ten times more impactful…which I don’t think is a real word, but describes my point wholeheartedly.
The Wolf Among Us has not only opened up a new series that I want to explore (Fables), but has also introduced me to a new genre of game. Whilst some people may find the interactive story elements boring, I personally loved every moment of it. A couple of the episodes are weaker than others, but all in all this was a great experience, and I want more from the world of Fables. My hat goes off to Telltale Games, who are currently working on a new Borderlands and Game of Thrones game – both of which I am very excited about.
I managed to get The World Among Us on the Steam sale for about £6.99, but it looks like it’s gone back up to nearly twenty squids. The story takes about 7 – 9 hours to complete, depending on your choices and how thorough you are. Due to the amount of choices the game offers, there is a lot of replay value: my first playthrough saw me as a kind, sympathetic Bigby, but I want to try again and be an absolute dick and see how that affects things. You can also compare your choice stats to others who have played the game. So whilst £18.99 is a fair bob, I think that it’s well worth it. Just keep a vigilant eye open for it to come down in price. Now, I am going to go and write fanfiction. I wonder if Jack Frost is a character in the comics? That could be interesting….