George R R Martin
It’s ok guys, it’s ok; there are THEORIES!
So the winner of the War of the Five Kings is….Balon Greyjoy!!! Ah, so another season of Game of Thrones comes to a climactic end. Whilst this season has arguably been the worst (of the best) so far, you cannot deny that the finale had some wonderful moments. Well, depending on your definition of wonderful. As it stands now, essentially every story has caught up or even overtaken the books – save for an entire side plot featuring the Greyjoy family which fans are hoping will make an appearance in season 6. This episode popped in to say hi with pretty much every ‘main’ character, so let’s start in the east and do a little banana shaped trip across Westeros and Essos.
The climactic scene of episode 9 was, of course, Daenerys flying off on Drogon. Now, Drogon is still a young’un and not fully grown, so it is understandable why he was hurt so badly from a few blades. We aren’t exactly sure where Daenerys has landed, but due to the arrival of the Dothraki, you can assume it’s somewhere within the Dothraki Sea, which is north of Meereen. It wasn’t revealed who the Khal of this particular khalasar is, but we know that what remains of Dany’s ties with the Dothraki is limited; will she be greeted with welcome arms, or a sword to the face? In the books, Drogon makes himself a home in a cave, which Daenerys calls Dragonstone after her old home. She also gets very ill and has the poos before she seen by a lone Dothraki scout, who then sends for the rest of the khalasar.
Further east, in Braavos, we saw the concluding chapter for Arya this season. After a bit more overkill with Meryn Trant’s evilness (yes, we get it, he’s a dick) Arya is able to finally act out her revenge, wearing the face of the girl that she helped mercy kill a few episodes ago, which was a pleasant scene to watch! What was interesting here was that we saw, in some form, how the faces actually work. They appear to literally be masks that the Faceless Men can chop and change as they please. Additionally, the show also implied truth behind a theory that many fans already speculated – that Jaqen H’ghar is just a face, not a person. Seemingly as punishment for going against the Many Faced God, Arya is now blind, and even that does happen in the books, but under slightly different circumstances.
Over the Westeros now. The slightly seemingly irrelevant Dorne scene concluded with the unexpected death (we assume, anyway) of Myrcella. It was kind of obvious as soon as Ellaria kissed her on the lips what would happen, but my mind was briefly taken away from thinking about it too much as soon as Tyene Sand said “bad pussy” and I cringed. I mean, really? As if the Sand Snakes couldn’t get any worse…. As mentioned prior, this whole side story differs quite dramatically from the books. To avoid mild book spoilers (for scenes that I am 95% sure will not appear in the show), skip ahead to the next paragraphs. Ok? Ok. Well, for starters, Jaime is off in the Riverlands, and nowhere near Dorne. Mycrella is still there, and is guarded by a member of the Kingsguard named Arys Oakheart. Doran Martell’s daughter, Arianne (who sadly does not appear in the show) seduces Arys and convinces him to make Myrcella queen, seeing as in Dorne, age matters in succession, not gender. The reason for this is to largely defy the Lannisters. Without going into too much detail, someone snitches, and Arianne’s little rebellion fails, with Myrcella losing an ear in the process and Areo Hotah (the big guy with the glaive that protects Doran) killing poor Arys. What do the Sand Snakes have to do with this? Well, not much…they kind of just bang on about revenge until Doran imprisons some of them, whilst Ellaria…also doesn’t do much, and is a lot nicer! So, anyway, the question that arises now is 1) how will Jaime react? And 2) how will Doran react? I’ve said before about how much I like House Martell in the books, and unfortunately they haven’t really shone in the series, but there is still in in season 6!
Right, King’s Landing. It was a shame that we didn’t get to hear of Margaery’s fate; so at this stage we have no idea what the High Sparrow has in store for her. In the books, Loras is off fighting on Dragonstone, and so the whole trial surrounding his sexuality doesn’t happen. Instead, Margaery’s own virginity is taken into question (bear in mind that book Tommen is about 8 or so, so they didn’t seal the deal). Nevertheless, I’m sure light will be shed on her early next season. No, instead, the focus was on Cersei and her brilliantly done walk of punishment. It was horrible to watch, in a good way…and it was just about long enough that you felt uncomfortable and, despite what you may think of the Queen-mother, sorry for her. The question that now of course is how will Cersei respond to this? Will she get revenge, or is she truly broken? As an interesting side note: lads, this was just a body double with Lena Headey’s head CGI’d on. Some people are complaining that it looked a bit rubbish, but honestly I don’t think you would know. We very briefly saw the return of Kevan Lannister, standing with Pycelle, in the Red Keep. Kevan has been acting ruler since Cersei’s imprisonment, whilst Tommen pouts in his room. We were also introduced to a new member of the Kingsguard….who looks somewhat familiar…but I can’t quite put my finger on it….
Everything that surrounded Winterfell was show-only stuff. In the books, we last we see of Stannis is that he is marching…forever marching. He does not engage the Bolton force. Sansa is still in the Vale with Littlefinger – in the series, she has taken the role of a character called Jeyne Poole, who marries Ramsay as a fake Arya. Nevertheless, Theon still steps up and leaps from the walls of Winterfell with her to freedom…only to run into Stannis’ army. Right…let’s talk about Stannis. Despite being a Stannis fan, I don’t feel as upset about his death as I thought I would. It was almost inevitable. He became such a tragic figure, and as I mentioned last week, truly desperate. But, like the man he is, he went down a trooper, in the most stoic, Stannis way possible. So, yes, whilst I am a bit gutted that the One True King is dead (in the series, anyway….), it’s almost a relief. Now, all the legit Baratheons are dead… On the plus side, Brienne finally got her revenge…at the expense of forgetting all about Sansa. Shame we didn’t actually get to see the fight, but I guess a lot of the budget was spent on Drogon and Lena’s head. Now, Melisandre…what is your game? You got the impression that her confidence in Stannis was waning as this season went on, especially after her interactions with Jon. Which brings us on to…
The Wall. Firstly, Sam. Now this conversation is carried out a little differently in the books, and it’s actually Jon who insists that Sam go to Oldtown to become a maester, pretty much as soon as he is elected Lord Commander. Sam also takes Gilly, the baby, and Aemon with him, the latter of whom still passes away, but during the journey. Melisandre never actually goes with Stannis, and stays at the Wall. As do Shireen and Selyse, who are still very much alive. The climactic events happen in a slightly different albeit somewhat similar way too. In the books, the Night’s Watch are annoyed at Jon not just due to his empathy with the Wildlings, but because he wants to attach Winterfell to remove the Boltons from power (and existence). The attack on Jon happens through the teary eyes of the Watch brothers, and is not led by Alliser Thorne. Jon is also not tricked about Benjen either – no, no one has heard from Benjen since A Game of Thrones. Also, Olly isn’t there, because that little bastard is a show only character. Nevertheless, Jon is assassinated “for the Watch”. This is where book readers are; “[h]e never felt the fourth knife. Only the cold.” BUT DON’T WORRY!!! Since this happened in A Dance With Dragons back in 2011, fans have been scrambling together any theories they can on how Jon might have somehow survived this assassination. Now, show Jon looked pretty darn dead to me, but that doesn’t necessarily mean that he will stay dead. One theory is Melisandre. She returns to the Wall, but for what purpose? We know she has a bit of an interest in Jon, and know that Red Priests have some sort of power that allows them to bring back the dead – think back to season 3 with Thoros and Beric. I believe that she will use her power to resurrect Jon. This may well change the Stark bastard, but changed Jon is better than no Jon, isn’t it? Kit Harington has said in a very recent interview that Jon is dead…but my argument is that he wouldn’t really turn about and go “nah he comes back”, right? RIGHT?! It also seems kind of weird that they would kill off our only real link to the Wall. Sure, Melisandre and Davos are now there too, but they are more supporting characters. There are also dozens of other theories surrounding Jon, such as his parentage, or whether he is some kind of ‘chosen one’, and whether the title A Song of Ice and Fire alludes to him partially. Also, he had his stare down with big baddie White Walker, the Night’s King in episode 8…surely that was not for nothing….right?! Well, until either The Winds of Winter or season 6 are released (the latter, I’m sure), I guess we can keep on speculating.
Well, now you have just under a year to kill. My advice? The same as last year: read the books. They are phenomenal, and further expand on this world that we know and love. As for me, I need to find some games to review…
RIP Old Flaydy.
Season 5 of Game of Thrones has indeed been a rollercoaster of mixed emotion to some. Whilst certain areas have most definitely dipped due to bad writing, directing or acting, I think that it is important to note that the good outweighs the bad. After season 4’s GO-GO-GO action packed attitude, it’s easy to look at 5 as being nothing but filler. It’s slower, definitely, but not slow. Personally, I thought that this episode was one of the better – they seem to be going in a bit of a pattern: good, ok, good, ok, good etc. The title The Gift is a bit of an odd one; it’s apparent that towards the end of the episode numerous characters have mentioned “gifts” – Ramsay’s ‘gift’ to Sansa, and obviously Jorah’s gift of Tyrion to Daenerys. However, the Gift is also the name of a stretch out land south of the Wall given to the Night’s Watch by an old Stark king. Funny that that wasn’t mentioned at all.
Let’s kick off by addressing the death of a fondly looked upon character, Maester Aemon. By now, we all know that Aemon was a Targaryen, so I thought I would provide a bit of information on his background, and “Egg.” At the beginning of A Game of Thrones, Aemon is already one hundred years old – an outstanding age to reach even by today’s standards…even more-so in cutthroat Westeros. Aemon was the third son of (who would later be king) Maekar Targaryen, who himself was a fourth born and only became king due to a string of unexpected family deaths. As a third born son, it was unlikely that Aemon would inherit the throne (that, and the Targaryen family tree is so complicated that there were tens of potential heirs). As such, he was sent to Oldtown, to the Citadel, to train to be a master at the age of nine or ten. When he completed his training, Aemon was sent back to sit on his father’s small council. However, good natured Aemon thought that this would undermine the current Grand Maester, and so he retired to Dragonstone to serve his older brother, Daeron. After Daeron’s death, many urged that Aemon take up the throne and become king. Aemon refused, and the recommended the crown go to his younger brother, Aegon (or “Egg” for short). Aemon then took himself to the Night’s Watch, thus quelling any uprising or rebellion that might be sparked in his name against his brother. Aemon served in the Night’s Watch for over fifty years, seeing many commanders rise and fall, including Brynden Rivers, a Targaryen bastard, who went on to become the Three-Eyed Raven (Crow in the books) that Bran seeks out. Aegon’s adventures can be read about in George R. R. Martin’s prequel novellas Dunk and Egg. So, all in all, Aemon Targaryen was a very nice man who gave up the throne and heard about the decline and decimation of his house from thousands of miles away. And now his watch has ended.
Further on south, we see the Sparrows orchestrating their own decline and decimation of not one, but two great houses. Whatever the outcome of these trials, you can bet your bum that the Tyrell’s name has been tarnished, as emphasised by Olenna’s lack of words during her exchange with the High Sparrow, who is revealing himself to be an extremely dangerous man. If found guilty, Loras and Margaery will be given the Mother’s Mercy, whatever that is. Additionally, if found guilty, I imagine that that’s the end of Margaery’s queenship right there! Similarly, the Lannisters now find themselves in a similar pickle. You may remember that cousin Lancel has a lot of beef on Cersei – including their own incestuous relationship, as well as hers and Jaime’s. This is where the religion of the Seven falls slightly short, though, as Targaryen families would often wed incestuously (causing some ill-fated offspring), and no one really bat an eyelid…not openly, anyway. If the accusations against Cersei prove true (I mean, we know they are), then you can bet your other sweet bum that Tommen’s kingship will be null, resulting in the throne passing to Stannis. This is purely speculation, as the books haven’t gotten that far yet, but I can’t help fearing a little for Tommen’s life. Myrcella’s too, though she is protected in Dorne and I don’t really care about her because this new actress is a bit pants. If Stannis is declared rightful king though, how will the Sparrows respond to his newfound Red God religion…? Either way, karma’s a bitch, Cersei.
As a side note, the terrifying women that imprisoned Cersei are known as the Most Devout. These are different from the Silent Sisters, who you may or may not know about: Silent Sisters are women who take a vow of silence and swear to serve the Stranger – the god of death. We have seen them quite a few times throughout the show’s history, tending to the dead. Usually they dress themselves in robes and bare a standard with the seven-pointed star on it. If you rewatch the series, have a look at the background detail and see if you can spot them. Make a game out of it. Most Devout, however, are the ruling council of the Faith. They used to serve the High Septon, but since his imprisonment they have become supporters of the High Sparrow. The only named Most Devout in the series so far is Septa Unella, the one that actually grabbed Cersei. Think of them as strict nuns.
Before I end, I think it’s important to comment on Theon/Reek’s position and why he told Ramsay about Sansa. Reek isa broken man – completely. We have seen this multiple times throughout season 4, such as when he was shaving Ramsay and Ramsay told him about the Red Wedding, or Yara’s awful rescue mission which I pretend never happened (she should have taken a leaf out of Sansa’s book and shouted “YOU ARE THEON GREYJOY!!!”). Theon is petrified of the Boltons. We know what Ramsay did to an extent – physically – but the emotional damage goes a lot deeper. He’s trained Reek like a dog: rewarding good behaviour, but severely punishing any sort of bad behaviour. This is why, I think, he has not told Sansa that Bran and Rickon are still alive – he knows what will happen to him if Ramsay finds out he told. Bad things. Very bad things. But Sansa is strong. She has endured this much, and with Stannis coming in from the north and Brienne watching from the south, I am really hoping that she gets what can only be described as a Game of Thrones happy ending.
That’s all for this week – nothing else really needs to be touched on. Jorah and Tyrion’s escapades were pretty self-explanatory, with the slavery and fighting pits mirroring that of ancient civilisations such as the Romans (see Gladiator). Meanwhile Stannis continued to become more and more likeable by refusing to burn his daughter. What a nice guy. Though I’m still certain that his batshit wife is going to do it. And Sam…..Sam became a man! Oh my. And even the Dorne scenes weren’t too bad this week! Of course, the real MVP is that brute that cut Tyrion free and Dany’s perfectly ironed dress.
Littlefinger….what is your endgame? You crazy man.
Unbowed, Unbent, Unbroken, or, Burning Cersei, is the sixth episode of season 5. Gosh we’re already over half way through! Interestingly, this is the third episode to feature a house’s words as its title, the first being the very first episode Winter is Coming, and the second being the end of the first season Fire and Blood. Fun fact. Anyway. Whilst some argue that season 5 has been a bit slow, I think the biggest disappointment is some of the plot changes. Now, this isn’t a book-fan complaining because there are changes; this is a book-fan complaining because some of the changes are absolute crap. For example, Loras’ trial. I have already expressed how they have ruined this bad-ass knight’s character, but what the hell was the trial? Granted, the outcome is interesting, and leads itself into a book-based plotline. However, the way it was executed was absurd: let’s listen to this one lower-class brothel worker against the whole of the royal family. Squires may be required to bathe their knights, which is a perfectly plausible reason for seeing this birthmark. The whole scene just felt rushed for the sake of moving the plot along. And what will happen to OlyvAR now that he has confessed? The Sparrows are ridiculously militant – which means that they should probably kill or torture him (the latter being part of their confession technique, in a fashion). And what was OlyvAR’s motif for confessing? Perhaps Cersei (or maybe Littlefinger?) paid him off? Nevertheless, one man against the entire royal family with no real proof? Not even the Sparrows are that insane. Guess we will see how this plays out… We alsoOl once again got to see how wet Tommen is, bless him.
My next aggression is with the Sand Snakes, again. Bronn aptly sums it up: “oh, for fuck’s sake”. These daughters of Oberyn are just ridiculous. Book Sand Snakes, whilst equally annoying, do at least have some logic behind what they want to do – albeit flawed. These guys? No idea. Oberyn repeatedly said that in Dorne, they do not hurt little girls. What do the Sand Snakes want to do? Hurt Myrcella. I think. I don’t even know. What I do know is that fight scene was all a bit too silly. Yes, yes, we understand that these are your trademark weapons, you two-dimensional shits, but really? A whip? REALLY? And Obara, the spear one…Jesus it’s just a bit cringey really! And if that cut somehow festers and kills Bronn, I swear down…! They’re misguided, I get that, but to the extent that I just want them all to die – Ellaria included. The Martells are my favourite family…in the books, but now it just seems to be show-Doran I like. Their resilience, patience and cunning has been replaced by misplaced vengeance and bad acting. As a side note, the setting of the Dornish scenes, the Water Gardens, is a small palace just down the road from Dorne’s capital, Sunspear. Oh, also, how the hell did Jaime and Bronn sneak into the Martell’s PRIVATE gardens in blood stained uniforms? JUST as, coincidentally, the Sand Snakes were doing their…thing. God I’m angry.
Moving on. Tyrion appeared to be the voice of reason, raising many good points as to how Daenerys would probably suck at ruling in Westeros. Jorah’s luck seems to go from bad to worse; not only did he learn about the death of his father, but has also contracted greyscale and been captured. ‘Tis not a good day to be a Mormont (though not as bad as Stark….). If you remember, the reason why Jorah fled Westeros to Essos was because he sold poachers into slavery – so it’s a somewhat ironic twist of fate given the position he is now in. His father was Jeor Mormont, Lord Commander of the Night’s Watch. Jorah’s crimes brought dishonour to his family, much to his father’s disappointment. In fact, the sword that Jon wields, Longclaw, was originally Jorah’s before he left.
Some quite interesting parallels can be drawn between Cersei and Tywin in this scene. Firstly, we see that she has taken up residence in his old office (is she acting as Hand of the King now…?). Additionally, during her scene with Olenna, the Queen of Thorns (yay!), she uses the Jack Donaghy technique of making her opponent wait, mimicking Tywin’s letter writing performance. However, this doesn’t stop her from getting burned by both Olenna and Littlefinger!
Before we discuss the ending I thought that I would touch on the Faceless Men. Essentially, these guys are elite assassins. This makes me doubt the Waif’s (the other girl in the House of Black and White) story, as Faceless Men cost an arm and a leg to employ. Only the richest can afford them. They can be hired to kill anyone, but at a lofty price. Furthermore, there is a theory that the Jaqen we see here is not the same as the one Arya met before; rather, Jaqen is just one of many faces! Oooh!
The climax of the episode (no pun intended) saw an emotional end to Ramsay and Sansa’s dream wedding. Poor Sansa can’t catch a break. Her character has gone a long way since she was last at Winterfell – to the point where she is beginning to become a player. We saw how brilliantly she handled Myranda earlier in the episode. Whilst the consummation of the marriage was awful, I think that she knew what was coming (no pun intended). Now, I’m in no way saying that what we saw wasn’t rape; it was, and it was horrible. But I think that it is important to note that Sansa, to quote producer Bryan Cogman, “isn’t a timid little girl walking into a wedding night with Joffrey. This is a hardened woman making a choice and she sees this as the way to get back her homeland.” It was horrible, unfair and quite emotional to watch (give Alfie Allen an emmy!) but she isn’t a silly little girl any more…she knew what to expect. The next question is, how will she react? I am just thankful that they changed this scene from the books, in which Ramsay makes Reek sexually…interact with his new wife (a cut character), which is extremely disturbing.
To conclude, it seems like episode most counterbalance one good scene with one bad. As I said before, I’m completely happy with a lot of the changes being made (you know, because my opinion matters), just not when they are replaced with flawed, badly written shite. Bring on episode 7, which looks a lot colder…
“Promise you’ll protect me” – Shireen Baratheon to Davos….my God, please don’t be foreshadowing!
After the rollercoaster ride that was last week’s episode, Kill the Boy, with its ominous title, was a brilliant reminder of how great this show can be sometimes. Apart from the fact that, on the intro map, the Water Gardens is listed as Dorne. I…um…not sure what happened there. Anyway, without any King’s Landing drama, this week’s episode saw us spending a lot of time up North and across the sea. So let’s start at the Wall.
Jon’s always been a fan favourite, but it’s interesting to see him really take a deserved leadership role, whilst encountering hardships. Moreover, it’s great to see that the King of Grammar, Stannis, is becoming more book-inspired; hopefully, fans of the show will now be able to see why he is such a favourite to book readers. It was even more refreshing, like an ice-cool glass of OJ, to hear Stannis’ ulterior motives instead of just “it’s mine by right” – in this episode, he actually mentions saving the realm from the White Walkers. Previously, it’s just been Melisandre banging on about this, with Stannis uttering his aforementioned mantra. Finally, now, we see that the One True King really does care about protecting his people. However, if TV has taught me anything, it’s that when we get an expositional monologue, or develop a sudden fondness to a character, it probably means they are going to die. This is purely speculation, as book Stannis now spends a few hundred pages trekking through snow, but I fear for the Mannis’ life. Fingers crossed. Will the season end with a Bolton/Baratheon brawl? The title of the episode, Kill the Boy, is taken from a rather pithy quote from Maester Aemon: “kill the boy and let the man be born”. He says this, as we know, to Jon. The meaning of this is pretty straight forward: to become a true leader, Jon must overcome any inhibitions he has about himself (think back to an Alliser Thorne quote – “if [a leader] starts second-guessing himself, that’s the end”). He must metaphorically kill this boy, so that the man inside him may flourish like a flower. But more bad-ass. Of course, with all episode titles, this probably refers to something else. But what….
Before we move on, I thought I’d give a bit of information about the Citadel, which Sam mentions. In the southwest of Westeros lies the oldest known city: Oldtown. This beautiful port city houses a population of around 500,000, equal to that of King’s Landing, but lacks to squalor of its somewhat sister city. Oldtown is governed by the Hightowers, who are powerful allies to the Tyrells. Notable Hightowers include Ser Gerold Hightower, who was the Lord Commander of the Kingsguard during Aerys Targaryen’s rein. Oldtown is home to a structure known as the Citadel. Well, multiple structures to be technical. These buildings act as a college of sorts where maesters are trained. I’m sure we are all familiar with maesters now – essentially the doctors, scholars, scientists and academics of Westeros. You may have noticed, through watching characters such as Luwin, Pycelle or Qyburn, that they wear chains. Each link of the chain symbolises an accomplishment, for example, a bronze link represents knowledge of astronomy, where steel is smithing. As you might imagine, the Citadel also houses the largest library in Westeros.
Anyway, Bolton/Baratheon brawl, etc. etc., “kill the boy”…oh yeah. So I thought that this could also tenuously link to Ramsay’s motifs after Roose announces that his wife Walda is preggo. Ramsay is obviously very worried about his position, but through a heart-warming speech about rape and murder, we learn that Roose does actually kind of care for him. It also allows us to see how evil Roose actually is. Cold, calculating; you would be mistaken for thinking he was a lot like Tywin. But Roose doesn’t mind getting his hands dirty – and beyond. In fact, he rather enjoys it. And so Sansa’s torture begins….
Across the sea then, sad to see that Barristan Selmy is indeed dead. Like I said before, this doesn’t happen in the books, so his death was greeted with a mixed response from many. I am pleased, however, that they addressed how awful it was in the episode – Daenerys says something about him being cut down in an alleyway. But at least Grey Worm still lives! Having served the Mad King Aerys, Barristan served as a font of reason for Dany…but with him gone, one wonders what slightly mad decisions Daenerys might make. Like, you know, burning a possibly innocent man alive. Her quote “we’ll let the dragons decide” could well be a throwback to Aerys, who would often ‘let fire decide’ the fate of those who upset him. Nice to see a bit of gore though, wasn’t it? Feels like it’s been a while. By marrying Hizdahr zo Loraq, Daenerys hopes to bring an end to the bloodshed caused by the Sons of the Harpy. But who is/are the Harpy? Will this appease them? Her story currently parallels what is going on in the books: book Hizdahr, in a similar manner to the show, continuously bugs Daenerys about reopening the fighting pits. Eventually, he outright buys them. Daenerys still proposes marriage, though in a more roundabout way, and he seems a little more eager than he does in the show to accept.
The episode concluded with a Tyrion/Jorah scene. If you look at a map of Essos, you’ll notice that between Volantis (where Tyrion was captured) and Meereen (where Dany resides) is Valyria. You probably have an informed knowledge of Valyria, but the gist of it is this: Valyria was a metropolis of advancement. Years ahead of any other city in the world, Valyria was the grandest of its time. Dragons flew about the skies, and it was also the ancestral home of the Targaryens. One day, however, the Doom came. Nobody really knows why, but a chain of volcanos suddenly erupted, destroying the city and desolating the land for miles around. Now, it’s a wasteland, with many people believing it is cursed and haunted. Jorah choses to navigate part of the waters for two reasons: it’s quicker, and there are no pirates. There is, however, a more serious threat: the Stone Men. We have been introduced to the disease of Greyscale through Shireen Baratheon. She, however, was cured…albeit horrifically scarred. Some aren’t so lucky. Many of these are taken to this region of Valyria, known as the Sorrows, and left. These Stone Men eventually succumb to the disease, robbing them of their wits and, eventually, life. The disease is contracted if they touch your flesh. Think a zombie bite. Oh Jorah… We see here that he is taking on the mantle of a book-only character called Jon Connington – whose story has been completely omitted – who contracts the disease whilst travelling with Tyrion before he is kidnapped. Phew. Anyway, next week’s episode is titled Unbowed, Unbent, Unbroken, which, as well all know, are House Martell’s words. Fingers crossed we get to see why they are the most awesomest of the Westeros houses!
Some humanisation of Stannis!
This week’s episode, The Sons of the Harpy, certainly had its ups and downs. So let’s discuss the lower points before moving onto the arguably better aspects. Firstly, the Sand Snakes. What a load of monkey poo. The Sand Snakes are the bastard daughters of Oberyn Martell, with various women. In the books, there are eight in total, so you can see why Benioff and Weiss have cut that down a bit, which is fair enough. Naturally, they are pretty pissed off about Oberyn’s death, as is Ellaria Sand. I mentioned before about how Ellaria is partially seeming to take the role of Arianne Martell, who is Doran’s daughter and overall great character, sadly. So why was it a bad scene? Believe it or not, this is largely due to TV-stuff as opposed to “that didn’t happen in the book-stuff”. Book Sand Snakes are still bent on revenge, and filled with anger, so no real problem there. The problem was that their introductory scene was so bland that it was cringey. I think a mixture of bad acting and bad writing is to blame – the Sand Snakes themselves just seem extremely wooden, especially Obara and her bloody exposition. Yes, we understand; you’re the ‘tough one’. And Tyene is a mummy’s girl. Brilliant. Established. Game of Thrones is chocka-full of monologues – some of which are brilliant (Jaime in the bathtub) and some…are not so. This was certainly one of the latter. Ellaria too. She was great in Season 4, but seems to just be so awkward this season. Such a shame – the Martell’s are my personal favourite house, due to the likes of Oberyn, Doran and Arianne. Here’s hoping that we see more Doran action in the next few episodes to redeem this. This is perhaps one of the worst scenes in the series far (though not quite as bad as Yara’s rescue mission of Theon in S4 and Ramsay’s plot armour).
Moving on, to somewhere in the middle. We got to see another side to Margarey. Away with the façade of purity and kindness, is this her true face? It was certainly interesting to see the type of king that Tommen is – a bit of a wet wipe. Knock Joffrey all you want, but he would have sorted those religious fanatics good. Their whole ideology, combined with their violent approach, makes the seemingly docile High Sparrow even more terrifying. They represent the Faith Militant – an army that serve the Gods. We discussed last week how big religion is in Westeros, so if it were to come down to crown vs religion, I think we would see a close fight on our hands. Of course, Cersei describing a sinner hid behind gold…could very easily describe her too, couldn’t it?
Before we look at the closing scene in the episode, I think it’s important to note how often Rhaegar Targaryen was mentioned this episode, leading many fans to believe the truth behind a certain theory surrounding this character. By now, you should know all about how Rhaegar kidnapped Lyanna Stark (Ned’s sister), sparking Robert’s Rebellion. It all began at a tourney in Harrenhal. As Littlefinger explained whilst Sansa was in the Winterfell crypts, Rhaegar won the tourney. However, instead of presenting the traditional flower to his wife, Elia Martell (you raped her, murdered her etc.), he gave it to Lyanna Stark (who was with Robert Baratheon). Cue gasps. Rhaegar then kidnapped and raped Lyanna….that is, if you ask a supporter of the Baratheons and North. If you ask a Targaryen supporter, they will tell that Lyanna willingly ran off with Rhaegar; indeed, Barristan himself, a good friend of Rhaegar’s, states how he would go into the town disguised as a bard and sung to the poor folk. Here’s where the theory kicks in. As this is all just a theory, there are no spoilers, but if you want to bypass this anyway JUST IN CASE then please skip down until after the next image.
I might well have mentioned this before, but there is a huge fan theory that Rhaegar Targaryen and Lyanna Stark are Jon Snow’s real parents, making Jon a Targaryen. There a numerous reasons and nods to this, but I’ll just go over the most basic. Firstly, as Stannis points out in this episode, Ned Stark was extremely honourable (to a fault), so it seems extremely unlikely that he would be unfaithful to his wife and sleep with another women. Secondly, after the Battle of the Trident, in which Robert kills Rhaegar, Ned travels to Dorne to a place called the Tower of Joy. After killing what remains of Aerys’ Kingsguard (excluding Barristan and Jaime), Ned enters the tower to find his sister, Lyanna, dying in a bed of blood. She keeps saying “promise me, Ned. Promise me.” In his point of view chapters, Ned never reveals what he was made to promise, but many fans believe that Lyanna gave birth to Jon and died. Ned promised not to tell anyone the baby was hers because Robert would have had Jon killed. Hence, Ned, sacrificing his honour, pretends Jon in his. There is a wonderful extract in the book detailing the events at the Tower of Joy, which can be watched/listened to here.
Righty right. That last scene. I’ve expressed before my feelings towards Emelia Clark’s ok-ish acting (though she has gotten better), but on top of that, Daenerys has very little idea of how exactly to rule. Can you fault her? Kind of. She had queen-hood thrust on her quite literally in the form of Drogo’s penis. After his death, she makes it her mission to liberate the slave cities in the aptly named Slaver’s Bay. But, ultimately, she has no idea what she is doing. Her people are too many to feed, and she has a massive uprising in the city. She completely underestimates her enemy – an enemy at her front door. Which resulted in the climax of this week’s episode. The Sons of the Harpy are a rebellion group that seems to be comprised of ex-slave Masters and even some ex-slaves, who do not want to live in Dany’s new world. Whilst the final scene of this episode did provide us with some fancy sword fighting, I can’t help but feel disappointed at the outcome. The Unsullied are supposed to be the greatest warriors…well, ever. With such strict discipline, they become master fighters. Even when outnumbered like they were in this episode, they still kick-bum. Arguably, fighting with a spear in such a confined place may be what led to their downfall, but I still think that they should have had a better chance than they did. But then again, they lack ‘real’ combat experience – all they know is training. Whilst the Sons of the Harpy are made up of civilians, some of these may well have been pit-fighters, explaining their skill in battle. Nevertheless, what went down will certainly leave a certain khaleesi most angry. Most angry indeed! This brings us on to Barristan Selmy. Barristan the Bold is one of the greatest knights in the Seven Kingdoms. He has so many bad-ass accolades to his name, such as the time he singlehandedly snuck into a fortress after Aerys was kidnapped and rescued him. His skill and mentality reflect that of a typical Arthurian knight. Finally, we got to see him fight. Obviously now he is an old man, and was wearing very little armour, but he still held his own. Whilst his (and Grey Worm’s) fate is left unknown (unless you watch the preview for the next episode, in which it I spoiled in the first five seconds…), I think we can all agree that he fought brilliantly. They are both still very much alive in the books, however, so keep your little fingers crossed!
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
Meereen looks a bit like Aku-Aku from Crash Bandicoot in the opening credits.
Let’s kick off with Arya’s story in Braavos. We saw Braavos very briefly in season 4, when Stannis and Davos visit the Iron Bank to ask for money. But now we get to see the city alive. So, Braavos is one of the Nine Free Cities – that is, cities in Essos (the eastern continent) that do not follow a king. Instead, Braavos is ruled by a Sealord. Cast your mind back to season 1, and the wonderful Syrio Forel (“not today”). Syrio was the First Sword to the Sealord of Braavos. Kind of a big deal. Braavos is a bit like Venice with Britain’s weather. It’s built on a load of canals, so boat travel is the most efficient way of getting around. We follow Arya as she finds the House of Black and White, the episode’s namesake. This is home to the Faceless Men: the organisation of assassins that Jaqen H’ghar is part of. OMG book spoiler – the old man in the books is never actually revealed to be Jaqen, though there were theories, so this is an interesting turn of events. Side note: one other thing that I did notice is that Arya’s list has gotten substantially shorter…no more Thoros, Beric or Mel, or Ilyn Payne. Has she forgiven or just forgotten…?
Sticking in Essos (it’s a pretty gosh darn big place), we caught up with Varys and Tyrion on their way to Meereen via Volantis. Volantis is another of the Free Cities, located at the very south of the map (Braavos is pretty north). Notably Volantians include Talisa – Robb Stark’s baby momma. Whilst we wait for Varys and Tyrion to catch up, let’s travel to Meereen ourselves, kids! As you can see, this episode saw Daenerys making a tough ol’ decision. The title House of Black and White may well refer to Dany’s decision of killing Maran…Meren….Maranana…I can’t remember his name. Not important. That guy. Personally, I think she did the right thing, though as we saw, it led to a riot between the old Masters and the freed slaves. Interesting, parallels can be drawn here with both Robb and Joffrey: Robb had to execute Rickard Karstark for killing his prisoners, just like Daenerys. Joffrey had to run from the lynch mob throwing rocks and poo, just like Daenerys (though maybe not the poo). What does this mean? Who knows!
Over to Westeros. Once again, Brienne’s bad track record proceeded her. Though, I can’t help but think that she didn’t try very hard before running off in a huff….though it did prove how bad-ass is she is. Notice as well, Sansa’s bird-like outfits, mirroring Baelish’s mockingbird sigil. Could the title Black and White refer to them too, or is that too tenuous?
In King’s Landing, we see just how highly Kevan Lannister thinks of his niece. Kevan is very much his brother’s brother. He idolised Tywin, so you can imagine that Tywin’s death has affected him pretty badly. But Kevan ain’t no fool. He can see right through Cersei for what she is. Along with complimenting bumbling (but wonderful) Mace Tyrell, Cersei seems to be slowly manipulating what remains of the Small Council. She obviously hates Pycelle (who doesn’t?) and is trying to worm Qyburn in there. I’ve talked about Qyburn before, but we’ll have a quick recap. We first met him in season 3 in Harrenhal, where he came to serve Roose Bolton. After Jaime lost his hand, Qyburn stitched him up and escorted him and Brienne back to King’s Landing. Qyburn is a Maester, like Pycelle, Aemon and Luwin (RIP). However, Qyburn was banished from the Citadel (their HQ) for…unethical experiments. What these were exactly, we don’t know. But we do know that he used his knowledge to potentially save a dying Gregor Clegane (the Mountain) and he had a curious fascination with the dead dwarf’s head…hmmmm.
At the Wall, Stannis finally starts being awesome like his book counterpart, offering Jon Snow the goddamn North. The letter that Stannis received was from Lyanna Mormont, who is niece of Jeor Mormont (the old Night’s Watch Lord Commander) and cousin of Jorah Mormont. The letter is pretty awesome as it declares that, even though Roose Bolton holds the North and Stannis wants to take it, the Northerners bow to one king, and his name is STARK. Frickin’ awesome. One day, I hope that the Seven Kingdoms are ruled by the Starks and Martells. WHICH BRINGS US NICELY ON TO:
Dorne. Hell yeah. Personally, the Martells are my favourite house. About 300 years before the events of Game of Thrones takes place, Aegon Targaryen, known as Aegon the Conqueror, landed in Westeros with his dragons and armies and tried to take over. The whole country bent the knee, apart from Dorne. The Martells words “Unbowed. Unbent. Unbroken.” is a symbol of their resistance. Throughout the ages, the Martells have often been pissed on, but have never faltered and always risen above it. They are a strong house, somewhat isolated (both geographically and politically) from the rest of Westeros. Our first encounter with the Martells was through the fantastic, late Oberyn. We know that he was bent on revenge against those that murdered his sister, Elia, and her children. Elia, if you remember, was married to Rhaegar Targaryen, Dany’s older brother. The Mountain “raped her. Murdered her. Killed her children.” But you know all this. So the Martells are a bit bitter. But do they incite open war? No. Doran Martell – Oberyn’s older brother and head of the family, Lord of Sunspear – is cleverer than that. We briefly meet Doran in this episode. He is pretty much wheelchair bound due to severe gout (caused by the lavish Dornish lifestyle, some say). Doran may seem weak, but he is patient. He will bide his time, like so many Martells have before him. Partially, this is why I am so scared for Jaime and Bronn going to Dorne. I love the Martells, but gosh darn I hope those two are safe (this is a diversion from the books so I have no idea what’s going to happen!). We also briefly saw Myrcella (who has been recast) walking around the Water Gardens with a young man, Trystane Martell. Trystane is Doran’s son. In the books, he has another daughter, Arienne. Unfortunately, she seems to have been omitted from the show, but it appears though Ellaria Sand, Oberyn’s ex-gf, is taking on her character responsibilities. So there’s a little history lesson to wrap up this week’s episode companion. Now, please join me in staring at Daenerys’ ridiculous eyebrows until the sun rises.
The emotions that you will experience whilst playing this game are awfully akin to the series itself… Also these screenshots are taken from the internet and are not my own…sorry.
It’s about time we had a good A Song of Ice and Fire/Game of Thrones game. There is one, aptly named Game of Thrones, that I was going to do a review for, but it was so bad that I couldn’t play it. I’ve heard it gets better but….my goodness. So, thank you, Telltale, for a much-needed filling of an empty void!
I won’t go over what Telltale Games’ games entail; I’ve written about four of them now so go and read some of my old reviews, you lazy rascal. What’s instantly unique about Game of Thrones – A Telltale Game Series when comparing it to other titles such as The Walking Dead, The Wolf Among Us and Tales from the Borderlands is the departure from the somewhat signature Telltale ‘cartoony’ graphics. Instead, Game of Thrones meets us half way, forming an amalgamation of animation and real-life style graphics. The result….well, it grows on you. When I first started playing I was immediately disheartened by the seemingly bad graphics. The combination just didn’t seem to work – it seemed a shame, therefore, that Telltale had ditched their old ways for this title. Personally, I think seeing a Game of Thrones title utilising these graphics would have been pretty interesting! Instead, we have a watercolour painting gone wrong. The backgrounds are beautiful, a bit like an Edward Hopper painting (I Googled ‘watercolour artists’ and his name came up….), but the character models are a let-down. As you well know from my past reviews, Telltale characters tend to have quite a woody appearance at times as it is. Due to the ‘realism’ displayed in Game of Thrones, this vastly exaggerated. Characters just look dead-faced more often than not, resulting in a break in immersion that is only really saved by the pretty good voice acting. You do get used to it, after a while, but the resent lingers like the odour of yesterday’s ham.
But the main thing with any Telltale game is surely the story, right? Well, fortunately, Game of Thrones thrives in this category. It’s important to note here – which has disappointed some fans – is that this is a Game of Thrones game, not A Song of Ice and Fire. The reasons for this are probably numerous, but largely I think that it is down to the sheer popularity of the show. I love the books, but I feel Telltale made the right decision in basing it on the series: it enables them to utilise resources readily available to them, without the inevitable backlash from fans claiming that the Iron Thrones still hasn’t been accurately portrayed. The story kicks off at the end of season 3, and will lead up to season 5, running parallel with events from the TV series. The opening scene is set in a camp site. Bawdy men are joking about killing and fighting and other manly things. Your character, a squire named Gared, is sent off to fetch some supplies. Now, Gared is the squire to Lord Forrester, head of a Northern house loyal to the Starks. As Gared wanders past festivities left, right and centre, you’re greeted by a weaselly looking man wearing a stupid hat. “Oh!” I cry. “A Frey!” Suddenly, it all clicks, as the camera pans up and the Twins are revealed. “I know where we are…” I say to myself, as the Rains of Castamere begin to play. Then, all hell breaks loose, as the Red Wedding is in full swing. Gared must stumble back to Lord Forrester, amidst the battle waging around him. The emotion is there, but the whole area just seems pretty deserted and empty; sadly, despite being in a camp full of soldiers, this whole execution seemed pretty lacklustre. With current-gen consoles you would think that someone could have programmed in a few more fighting soldiers to, you know, make the whole thing seem a bit real. But hey. Moving on. So, yes, Gared is one of three characters that you play as in Episode One: Iron From Ice. The other two are Ethan Forrester, one of Lord Forrester’s sons, and Mira Forrester, a daughter who is in service to Margery Tyrell at King’s Landing. Like Tales from the Borderlands, jumping from character to character could be disorderly and incoherent, but the game pans out just like an episode of Game of Thrones, and with that in mind, it works. There are plenty of “oh shit!” moments, accompanied by some emotional heartbreaks and violent action. So your standard Game of Thrones recipe (albeit no boobs…yet). Without giving too much away, the events brilliantly kick-off this new chapter in the GRRM universe and leave you wanting more.
As mentioned, voice acting is close to top notch in Telltale’s Game of Thrones. Natalie Dormer, Peter Dinklage, Lena Headey and Iwan Rheon all lend their voices to the game, enabling this little adventure to sit canon with the series. Speaking of, Ramsay Snow gets some more limelight here, ever emphasising what a cruel, brilliant character he is. Ethan Forrester’s voice initially makes you want to punch him in the face, but you get over it pretty quickly. I, for one, am looking forward to seeing what other beloved characters show up to aid (or hinder) the Forrester’s tale.
Like all Telltale games, episodes will be released at regular intervals, so you have plenty of time to catch up before Episode 2: The Lost Lords is released in February. Of course, if you want the full experience, then wait until all episodes are released and play in one fell swoop. Although, unlike previous Telltale games, Game of Thrones will feature six episodes instead of five, so see you in a year! There are a few bumps in the road, but all in all Telltale have created another wonderful addition to their portfolio, and have finally given fans the Game of Thrones game that George R. R. Martin would be proud of!