Month: June 2015
November 2014 saw two Assassin’s Creed games simultaneously released for the ‘new’ and ‘older’ generation consoles: Assassin’s Creed Unity and Assassin’s Creed Rogue, respectively. I have always been a fan of the AssCred series, but, as previously stated in my Black Flag review, my faith wavered a little after Revelations – a disappointing end to the Ezio trilogy. Then came Assassin’s Creed III, kicking off what is now known as the Kenway saga. Whilst ACIII certainly had an interesting story with some wonderful twists and turns, the overall historical setting didn’t interest me, and the repetitive environment became very tedious. When Black Flag came out, I neglected to immediately purchase it, and instead waited until it was in the Steam summer sale 2014. Black Flag was both a brilliant Assassin’s Creed game and a brilliant pirate game. Because pirates are friggin’ awesome. Despite this, I was still hesitant when Unity and Rogue came out, though I will admit I was enticed by Unity’s pretty amazing trailer. I bided my time, and waited until these two games came on sale a few months later; I ended up picking up both for around £20 each on Steam. After consulting the wise mentors on /r/assassincreed, I started with Rogue.
Chronologically, Rogue takes place a few years after Black Flag and before (and partially during) Assassin’s Creed III and Unity, featuring some nice tie-ins with the aforementioned three, including certain characters and allusions to events. Rogue has you play as Shay “I make my own luck” Cormac. Shay begins the game as an Assassin, but becomes disillusioned with what they stand for and, in a somewhat roundabout way, ends up joining the Templars. With the exception of the beginning of ACIII and that pretty cool twist, this is the first time in the series that we actually get to play as a Templar, and moreover see their point of view, as usually they are depicted as the big, greedy baddies. In Rogue, it’s very easy to empathise with the Templar cause and actually find yourself disliking the Assassins. Part of this is due to Shay being pretty bad-ass; up at the top of the character scale just behind Edward Kenway and Ezio. Part of it is also because all of the Assassins in the games are dicks. Just utter dicks. Due to the change in perspective, the story in Rogue is overall pretty good, interesting and a new take…though I was a bit gutted that the misleading, ominous announcement trailer seemed to imply that you would be hunting Assassins, of which there is none of, apart from some repetitive side missions. Instead, the game plays out like every other Assassin’s Creed game, in which you go from mission to mission occasionally killing an ‘important’ character – nothing really new there. I didn’t find myself as interested in Rogue’s story as Black Flag’s, though this may largely be due to the fact that I know very little about the Seven Years War, in which Rogue is predominantly set, so a lot of the historical figures were lost on me (as opposed to Black Flag when I was sitting in my chair going OMFG BLACKBEARD!!).
The story itself is relatively short in comparison to other games, and ends rather abruptly. There is, of course, the chance to then continue obtaining the many, many collectibles, but, unless you’re a bit of a completionist, it seems almost pointless. Considering the story’s lack of longevity, Rogue offers an overwhelming number of collectibles…and I mean overwhelming in the bad sense. The map itself is huge, and has you travelling around the North Atlantic Ocean, the Hudson River Valley and New York. However, it’s so big that the story itself only takes you to a small fraction of the entire world; the only incentive to see the rest is to collect these darn treasure chests, shanties and Animus fragments. Originally, I was planning on collecting everything, but as soon as the story ending was sprung upon me, I kind of lost interest. There is just too much for its own good. The setting itself is relatively varied, with icy climates in the North Atlantic, the tundra that is the River Valley, and New York’s cityscape. Despite this, in the former two especially, you couldn’t really differentiate one area from another – once you have seen one snowy forest, you’ve seen ‘em all. For the most part, Shay sides with the British Empire (as opposed to the French). Whereas previous Assassin’s Creed games have had maybe one faction of guards patrolling the streets, Rogue has two or three. However, it wasn’t until I was about half way through the game that I realised that the chappies in orange were in fact not French soldiers with annoying British accents, but Assassin thugs. Occasionally, these thugs hide in bushes or other well-known Assassin hiding spots and ambush you, causing critical damage, which keeps you on your toes a bit. But, as I will address later, health was never an issue, so even after being ‘critically’ injured, you can still stab your attacker in the face and walk away unscathed.
Rogue plays largely like Black Flag DLC, in that the majority – if not all – of the game mechanics are the same. This isn’t necessarily a bad thing, but players should be aware before they play. The easiest mode of transport is by ship. Like the Jackdaw, players can upgrade Shay’s Morrigan with better hull armour, cannons, mortars etc. Use these to take down ships to acquire loot to…upgrade your ship even further! Naval combat remains the same as it did in Black Flag: strong, but not without its flaws. For example, if you happen to be engaged in a fight with, say, two enemy ships…when you destroy one and board it, time seems to stop for the other – it just circles around for a while, waiting. Aspects like this make it apparent that Rouge is a ‘last-gen’ game, and one would hope that if naval combat features in future instalments, it becomes a bit more dynamic. Regular combat is the same as it has always been: pretty dull. It’s just easy. You can buy new weapons and pistols, but even those are boring. Different weapons have different stats, but you can’t really tell the difference. In hand to hand combat, you can either fight with fists, hidden blades or a dagger and sword combo – but, again, this is essentially for aesthetics as the sword seems to do as much damage as the blades seems to do as much damage as fists. I miss back in the ACII era when the sword and dagger were separate. Combat has always been relatively easy in the AssCred series, requiring you to just wait and counter at the right moment, and Rogue is no different. Luckily, these seems to have been addressed if Ubisoft’s E3 preview of Assassin’s Creed Syndicate can be believed! Like Black Flag, you can upgrade Shay too with various crafting mechanisms, improving his health etc. But, if I’m honest, I completely forgot about these, and finished the game with the same amount of health as I started. It was never an issue.
Oh, like previous AssCred games, Rogue also features a ‘modern day’ section, in which, like Black Flag, you play as a faceless Abstergo employee who is playing through this memories for totally-not-evil-scientific reasons. Again, like Black Flag, something happens to the severs over the course of the game and you have to go down and hack into them and turn them on, slowly revealing more and more about the company. The lore that surrounds the series is very interesting, especially as it is influenced and intertwined with our IRL history, so learning about this from the Templar’s point of view as you fix the severs (I don’t know why they keep all of this information encrypted on various computers but hey ho) is a nice little treat. And you’re often accompanied by a women who endearingly, and not at all irritatingly, affectionately refers to you as ‘numb-skull’. Classy gal.
Visually, Rogue is pretty impressive. Surprise, surprise, the visuals are very similar to Black Flag’s, though, again, that is not a bad thing. There are your standard clipping errors, or certain objects not rendering quick enough, but overall I can’t really complain. The only feature that could really be improved is the water, which often looked like a big ol’ tub o’ jelly…all thick and gloopy. The music is wonderful and really aids in creating the darker atmosphere that comes with Rogue. Voice acting is on par, with a range of personalities across a large and colourful cast.
At a glance, you could be forgiven for thinking that Black Flag and Rogue were the same game: apart from the dramatic change in climate, many gameplay elements carry from the latter to the former. So, if you enjoyed Black Flag, or any previous Assassin’s Creed game for that matter, then I certainly recommend it. However, due to the short story and repetitiveness of obtaining the crazy amount of collectibles and exploration, I would suggest getting this game on sale. And, why, it’s on sale right now!
It’s ok guys, it’s ok; there are THEORIES!
So the winner of the War of the Five Kings is….Balon Greyjoy!!! Ah, so another season of Game of Thrones comes to a climactic end. Whilst this season has arguably been the worst (of the best) so far, you cannot deny that the finale had some wonderful moments. Well, depending on your definition of wonderful. As it stands now, essentially every story has caught up or even overtaken the books – save for an entire side plot featuring the Greyjoy family which fans are hoping will make an appearance in season 6. This episode popped in to say hi with pretty much every ‘main’ character, so let’s start in the east and do a little banana shaped trip across Westeros and Essos.
The climactic scene of episode 9 was, of course, Daenerys flying off on Drogon. Now, Drogon is still a young’un and not fully grown, so it is understandable why he was hurt so badly from a few blades. We aren’t exactly sure where Daenerys has landed, but due to the arrival of the Dothraki, you can assume it’s somewhere within the Dothraki Sea, which is north of Meereen. It wasn’t revealed who the Khal of this particular khalasar is, but we know that what remains of Dany’s ties with the Dothraki is limited; will she be greeted with welcome arms, or a sword to the face? In the books, Drogon makes himself a home in a cave, which Daenerys calls Dragonstone after her old home. She also gets very ill and has the poos before she seen by a lone Dothraki scout, who then sends for the rest of the khalasar.
Further east, in Braavos, we saw the concluding chapter for Arya this season. After a bit more overkill with Meryn Trant’s evilness (yes, we get it, he’s a dick) Arya is able to finally act out her revenge, wearing the face of the girl that she helped mercy kill a few episodes ago, which was a pleasant scene to watch! What was interesting here was that we saw, in some form, how the faces actually work. They appear to literally be masks that the Faceless Men can chop and change as they please. Additionally, the show also implied truth behind a theory that many fans already speculated – that Jaqen H’ghar is just a face, not a person. Seemingly as punishment for going against the Many Faced God, Arya is now blind, and even that does happen in the books, but under slightly different circumstances.
Over the Westeros now. The slightly seemingly irrelevant Dorne scene concluded with the unexpected death (we assume, anyway) of Myrcella. It was kind of obvious as soon as Ellaria kissed her on the lips what would happen, but my mind was briefly taken away from thinking about it too much as soon as Tyene Sand said “bad pussy” and I cringed. I mean, really? As if the Sand Snakes couldn’t get any worse…. As mentioned prior, this whole side story differs quite dramatically from the books. To avoid mild book spoilers (for scenes that I am 95% sure will not appear in the show), skip ahead to the next paragraphs. Ok? Ok. Well, for starters, Jaime is off in the Riverlands, and nowhere near Dorne. Mycrella is still there, and is guarded by a member of the Kingsguard named Arys Oakheart. Doran Martell’s daughter, Arianne (who sadly does not appear in the show) seduces Arys and convinces him to make Myrcella queen, seeing as in Dorne, age matters in succession, not gender. The reason for this is to largely defy the Lannisters. Without going into too much detail, someone snitches, and Arianne’s little rebellion fails, with Myrcella losing an ear in the process and Areo Hotah (the big guy with the glaive that protects Doran) killing poor Arys. What do the Sand Snakes have to do with this? Well, not much…they kind of just bang on about revenge until Doran imprisons some of them, whilst Ellaria…also doesn’t do much, and is a lot nicer! So, anyway, the question that arises now is 1) how will Jaime react? And 2) how will Doran react? I’ve said before about how much I like House Martell in the books, and unfortunately they haven’t really shone in the series, but there is still in in season 6!
Right, King’s Landing. It was a shame that we didn’t get to hear of Margaery’s fate; so at this stage we have no idea what the High Sparrow has in store for her. In the books, Loras is off fighting on Dragonstone, and so the whole trial surrounding his sexuality doesn’t happen. Instead, Margaery’s own virginity is taken into question (bear in mind that book Tommen is about 8 or so, so they didn’t seal the deal). Nevertheless, I’m sure light will be shed on her early next season. No, instead, the focus was on Cersei and her brilliantly done walk of punishment. It was horrible to watch, in a good way…and it was just about long enough that you felt uncomfortable and, despite what you may think of the Queen-mother, sorry for her. The question that now of course is how will Cersei respond to this? Will she get revenge, or is she truly broken? As an interesting side note: lads, this was just a body double with Lena Headey’s head CGI’d on. Some people are complaining that it looked a bit rubbish, but honestly I don’t think you would know. We very briefly saw the return of Kevan Lannister, standing with Pycelle, in the Red Keep. Kevan has been acting ruler since Cersei’s imprisonment, whilst Tommen pouts in his room. We were also introduced to a new member of the Kingsguard….who looks somewhat familiar…but I can’t quite put my finger on it….
Everything that surrounded Winterfell was show-only stuff. In the books, we last we see of Stannis is that he is marching…forever marching. He does not engage the Bolton force. Sansa is still in the Vale with Littlefinger – in the series, she has taken the role of a character called Jeyne Poole, who marries Ramsay as a fake Arya. Nevertheless, Theon still steps up and leaps from the walls of Winterfell with her to freedom…only to run into Stannis’ army. Right…let’s talk about Stannis. Despite being a Stannis fan, I don’t feel as upset about his death as I thought I would. It was almost inevitable. He became such a tragic figure, and as I mentioned last week, truly desperate. But, like the man he is, he went down a trooper, in the most stoic, Stannis way possible. So, yes, whilst I am a bit gutted that the One True King is dead (in the series, anyway….), it’s almost a relief. Now, all the legit Baratheons are dead… On the plus side, Brienne finally got her revenge…at the expense of forgetting all about Sansa. Shame we didn’t actually get to see the fight, but I guess a lot of the budget was spent on Drogon and Lena’s head. Now, Melisandre…what is your game? You got the impression that her confidence in Stannis was waning as this season went on, especially after her interactions with Jon. Which brings us on to…
The Wall. Firstly, Sam. Now this conversation is carried out a little differently in the books, and it’s actually Jon who insists that Sam go to Oldtown to become a maester, pretty much as soon as he is elected Lord Commander. Sam also takes Gilly, the baby, and Aemon with him, the latter of whom still passes away, but during the journey. Melisandre never actually goes with Stannis, and stays at the Wall. As do Shireen and Selyse, who are still very much alive. The climactic events happen in a slightly different albeit somewhat similar way too. In the books, the Night’s Watch are annoyed at Jon not just due to his empathy with the Wildlings, but because he wants to attach Winterfell to remove the Boltons from power (and existence). The attack on Jon happens through the teary eyes of the Watch brothers, and is not led by Alliser Thorne. Jon is also not tricked about Benjen either – no, no one has heard from Benjen since A Game of Thrones. Also, Olly isn’t there, because that little bastard is a show only character. Nevertheless, Jon is assassinated “for the Watch”. This is where book readers are; “[h]e never felt the fourth knife. Only the cold.” BUT DON’T WORRY!!! Since this happened in A Dance With Dragons back in 2011, fans have been scrambling together any theories they can on how Jon might have somehow survived this assassination. Now, show Jon looked pretty darn dead to me, but that doesn’t necessarily mean that he will stay dead. One theory is Melisandre. She returns to the Wall, but for what purpose? We know she has a bit of an interest in Jon, and know that Red Priests have some sort of power that allows them to bring back the dead – think back to season 3 with Thoros and Beric. I believe that she will use her power to resurrect Jon. This may well change the Stark bastard, but changed Jon is better than no Jon, isn’t it? Kit Harington has said in a very recent interview that Jon is dead…but my argument is that he wouldn’t really turn about and go “nah he comes back”, right? RIGHT?! It also seems kind of weird that they would kill off our only real link to the Wall. Sure, Melisandre and Davos are now there too, but they are more supporting characters. There are also dozens of other theories surrounding Jon, such as his parentage, or whether he is some kind of ‘chosen one’, and whether the title A Song of Ice and Fire alludes to him partially. Also, he had his stare down with big baddie White Walker, the Night’s King in episode 8…surely that was not for nothing….right?! Well, until either The Winds of Winter or season 6 are released (the latter, I’m sure), I guess we can keep on speculating.
Well, now you have just under a year to kill. My advice? The same as last year: read the books. They are phenomenal, and further expand on this world that we know and love. As for me, I need to find some games to review…
So….Meryn Trant likes…kids?
First, let’s take a moment to appreciate Doran’s awesomeness. Finally. After nine episodes, he is finally given his due. Doran is very smart man, and not at all rash like his brother: he bides his time. We see in this episode, though, that despite being in a wheel chair (from severe gout, if you remember) he still holds great power and is well-respected. It is unfortunate that these Dorne scenes have been pretty filler…and pretty awful filler at that, but it least it has nearly concluded without any serious causalities, and has provided us an insight (albeit small) into how Doran rules, and his motives. And Trystane’s weirdly hairy chest.
In all honesty, most of episode 9 was largely self-explanatory, so I’ll just focus on the two ‘big’ scenes of the week: Stannis and Daenerys. Let’s begin in the north. With winter closing in around them, Stannis and his army are truly struggling. Especially when scoundrels like Ramsay come and set stuff on fire. I can’t help but laugh at the irony as Melisandre steps out of her tent to a sea of flames and a Ponyta. How brilliant would it have been if the downfall of Stannis’ conquest was fire? I mean, after this week’s episode, but proxy it just may be! So, yes, Stannis sacrificed his daughter to the Lord of Light. Now I feel it’s important to add here that this has not (yet) happened in the books – book Stannis is currently trudging along in the snows with his army still, whilst Shireen and her mother stay at Castle Black. The main things that afflict book Stannis’ army is the lack of food and endless marching. This whole section of the book is also told from the point of view of a character that hasn’t even encountered Stannis once in this entire series, though whether or not they pop up in episode 10 remains to be seen. Despite not appearing in the books, Shireen’s sacrifice was apparently headed up from the evil mind of George R. R. Martin himself, and not from Benioff and Weiss – which is who most people will turn to blame when something happens in the show they do not like! So, why did Stannis do it? Well, this is my quarrel with the whole thing. We saw that lovely scene earlier in the season between Stannis and his daughter. Then, last episode, he shooed Melisandre out from his tent when she merely hinted at the notion of sacrificing Shireen. I feel that his decision would have been more believable if we had seen one more episode – one more scene even – of Stannis pondering it over, as opposed to this apparent sudden choice. My personal opinion on Stannis hasn’t really changed because of it – he did it because he thinks that it is the only way he can save the realm, essentially, and you could see the pain in his eyes as the execution is carried out. I’m not saying it was right, or even justified, but in his mind it was the only option. The sacrifice itself, I feel, was almost inevitable, what with the amount of time dedicated to building Shireen’s sweet, innocent character this season, as well as the ominously foreshadowing conversation between her and Davos earlier in the episode. Also, Davos said something about hearing about her story “when he gets back”…and from past experience we know that in Game of Thrones, if someone says that, they (or the recipient of the conversation) are going to die… My personal prediction was that Selyse, at Mel’s bidding, was going to go behind Stannis’ back and do it, to which Stannis responds with a firm backhand, but in fact it was her mother’s crying, along with Shireen’s screams, that really made this whole scene very haunting. Stannis is truly desperate. He has made a number of speeches about the needs of the many over the few, and that sacrifices aren’t easy, “that’s why they are sacrifices”, but one cannot help but pause and wonder if the Stannis hype train is really going in the right direction… But then again, he sneakily murdered his brother and has sacrificed countless people in the past, so what’s so different about a daughter…?
Say what you will on the episode as a whole (though I quite enjoyed it), but you cannot deny that once again we were treated to an epic ending. What began with some well-choreographed fighting and a bit of Daario suave ended in what can only be described as slightly-bad-CGI-dragon-epicenes. Meereen, as we know, is plagued by the gang known as the Sons of the Harpy (RIP Barristan). These ex-slaves and Masters loath Daenerys for what she has done to their city, and won’t rest until her head is on the edge of a rusty blade. Apart from that, we still know very little about them, such as whether they have any ulterior motives, or even who their leader is. One of my guesses was Hizdahr, so I was extremely shocked and surprised to see him viciously stabbed to death (and felt a pang of sympathy). Now, there are those on t’internet who believe that Hizdahr’s death was staged, and that he is in fact still alive, and it was all a ruse…but I think it looked pretty convincing. I think he is pretty dead. This scene is somewhat similar to its book counterpart, the key difference being that book-Jorah is somewhere else (and Tyrion, too). Still, Drogon is drawn in by the scent of blood and lands in the pit, singeing all who come near, until Daenerys mounts him and soars into the skies, leaving behind the chaos to her bemused followers. Despite the questionable CGI, I thought this scene provided another brilliant end to a decent episode. Even Jorah’s Dark Souls inspired forward roll kill was pretty epic…though not as epic as the Spartan inspired spear throw. Well done Jorah.
Before we conclude, the word “Graces” was uttered by a character during this final scene – I forget who. Anyway, the Graces are a group of healers or priestesses in the area surrounding Meereen, led by the Green Grace, who acts as an advisor of sorts to Dany in the books. So far, they have been omitted from the series, so it’s interesting to hear their name dropped, even if it was for a second. Will we be delving more into the political side of Meereen next season? I’m also curious about the Unsullied, and how, for lack of a better word, shit they have been this season. The argument here is that they are not trained for this kind of combat, and lack proper field training, but nevertheless they got pretty much butchered by…well, civilians. I hope someone has an answer for this! I assume Grey Worm was resting in bed as this whole shabang went on…
As mentioned last week, The Dance of Dragons’ episode title is taken from the fifth book, A Dance with Dragons. Obviously, the title prominently refers to the climactic Meereen scene and Drogon, but it was also referred earlier in the episode via the book that Shireen was reading. The final episode of the season is titled Mother’s Mercy, so put your speculation hats on now and start guessing what that’s about!
9.9 this episode scored on IMDb! 9.9!! The highest rated Game of Thrones episode (on IMDb, anyway). Interestingly, this episode also featured a wide range of ‘show-only’ content. Which backs up my point that with the whole Dorne thing, book readers aren’t annoyed because it’s different: they are annoyed because it’s bad. Show-only folks feel the same. But this episode greatly restored my faith (which was never really dwindling, I swear) in the writers’ ability.
The book-to-show adaptations this week focused solely on Arya and Cersei’s stories. Cersei’s is pretty straight forward, continuing on from last week’s cliff-hanger. Arya’s, on the other hand, is slightly more convoluted and confusing. The question is, what is Arya actually doing? Well, it seems like she is training to become a Faceless Man, that’s for sure. To understand how to be another person, Arya must live the life of another person. Hence, she becomes the oyster seller. In the books, she talks the name Cat of the Canals – a nod to this can be seen during the scene when multiple cats cross her path. The ‘skinny man’ sat at the desk was essentially an insurance dealer (boo!) who had cheated a family out of their money. Arya has killed before, but for her own reasons, so it will be interesting to see how she deals with taking the life of someone who has done her no wrong.
Breaking away from the books, we are treated to a fantastic couple of scenes between the little Lion and the Dragon. As Tyrion has not yet met Daenerys in the books, this is all original stuff, save the “wheel” speech, which is said to another character. As Barristan is now sadly deceased, it appears that Tyrion will be taking his role (as advisor, anyway, not knight…though that would be good). Tyrion, obviously, knows the political scape of Westeros more than Dany, and doubts she would gain many supporters. However, the Martells were Targaryen supporters until the bitter end, after years of a love/hate relationship between the two. We still haven’t really seen the extent of the Martell’s power, as they tend to keep themselves to themselves…though I’m hoping more light will be shed on them in the final two episodes of the season.
Ok, time for the biggie. Beyond the Wall (which apparently has some sort of magic spell on it to stop Baby Sam from aging??) is a vast wasteland: the Lands of Always Winter. Very little is known about this area, save a few leagues from the Wall where rangers have explored. The Wildlings have scouted further, as far as Thenn, which is where the bald cannibal people from. Beyond that, however, it is largely uncharted, and the map just kind of fades off. Hardhome is a settlement situated on the east side of the Lands of Always Winter, geographically roughly the same distance north of the Wall as the Fist of the First Men (where the Night’s Watch set up camp in season 2). Hardhome has acted as a refuge for Free Folk all over. Leaderless, they have become shambles, and appear to be governed by a group of ‘elders’ representing each faction. We see the (brief) return of a character from season 2: Rattleshirt, or the Lord of Bones, before he is brutally bashed down by Tormund. This not only shows Tormund’s brutality, but also acts as a final nail in the coffin for another character: Mance. In the books, Melisandre puts a glamour spell on Mance, and disguises him as Rattleshirt, and vice versa. So, it’s actually Rattleshirt that dies on the pyre at Castle Black. Meanwhile, Mance goes incognito and heads south on a secret rescue mission. Book-readers may well have hoped that the same happened in the series, but, alas, it’s not to be.
The climactic scene gave us more information about the White Walkers than we have received in the books. Largely, this is due to the fact that this scene is show-only, and a lot of information on the White Walkers comes from gossip and Old Nan’s stories! Exciting times. Obviously, we still know very little about them – such as their motives, their intelligence, community etc. But it’s apparent they are a serious threat, which many Westerosi seem to poo-poo. Suddenly, the tribulations of King’s Landing seem irrelevant, now that we have seen the real enemy! It’s important to note that this isn’t just a ‘medieval Walking Dead zombie apocalypse’; this is full out war. These undead soldiers (known as Wights) are relentless and brutal, as opposed to your classic zombie which survives on instinct. No, these guys want to hurt you. And now we know how easily the White Walkers (also known as the Others in the books) resurrect their undead Wights. Just a simple ‘come at me, bro’ gesture and you’ve got yourself an army. We also got to see how they really do ‘bring the cold’, and the Wight’s sheer determination as they flung themselves off of a cliff in order to kill their prey. Another big reveal was the importance of Valyrian Steel. I think I have talked about this previously, but Valyrian Steel, as the name suggests, was originally forged by the Valyrians (see my post on episode 5 for information about them). It is said to be the strongest, sharpest metal around, and only a gifted few know the secrets of how to forge it. Known Valyrian Steel swords are few: Ned Stark’s massive sword, Ice, was melted down and presented to Joffrey on his wedding day, and to Jaime, who later passed it to Brienne as Oathkeeper. Samwell Tarly’s family also own one named Heartsbane. Littlefinger’s dagger that was used to try and assassinate Bran is also Valyrian Steel. To my knowledge, these are the only blades that have been mentioned in the books. There were many more, but they have been lost to time
This whole final scene was brilliantly shot, with some wonderful cinematography, and, in my eyes has made up for the awful Dorne scenes (especially choreography wise). And the sound; oh, the sound! I’ll be interested to see how the rest of the Watch react to Jon bringing bands of Wildlings and a Giant (whose name is Wun Weg Wun Dar Wun, or Wun Wun for short, if you were interested) to the Wall. Also, I’m awfully suspicious about that hooded figure navigating Jon’s boat at the end. He didn’t even turn round! I was half expecting it to be some sort of disguised White Walker…or, and I had my fingers crossed for this, that we would hear a voice “Jon?” *Jon looks down* “Uncle Benjen?!” BLACKOUT!
Next week’s episode is titled The Dance of Dragons, which is an obvious allusion to the title of the fifth book, A Dance with Dragons. Ramsay also mentioned how he would leave Stannis’ army as “a feast for the crows”, which is a nice little nod to the title of the fourth book, A Feast for Crows. Whether you think this season has been slow or not, it’s definitely apparent that it’s picking up now, with next week’s episode looking pretty darn epic, and episode ten will apparently “break the internet”…! Also, Oberyn died this time last year. Just saying.