Month: June 2014
Tiny and Big: Grandpa’s Leftovers Review
This game popped upon Steam’s midweek madness for 69p, so I thought YOLO and bought it. Oh my goodness I’m so glad I did. This is by far the best 69p I have ever spent.
Tiny and Big: Grandpa’s Leftovers has you playing as the character Tiny – a Tim Burton-looking technophile with a squeaky voice – as he tracks down his nemesis (and possibly brother?), Big, who has stolen his grandpa’s heritage: a lovely pair of underpants. Accompanied by his trusty grappling rope, laser cutter and rocket launcher, and friendly talking Radio, Tiny sets off into the desert to foil Big’s plans, whatever they may be, and get back Grandpa’s underpants.
The story throughout this three hour campaign is pretty funny, witty and very enjoyable. It’s not convoluted or complex – it just does exactly as it says on the tin. It’s silly, charming and wonderfully presented. Aesthetically, the game looks like something from a cartoon, with a very cool hand drawn and cell shaded look, mixed in with the aforementioned Burton-esque character design. The environment is beautiful and immersive, and despite the fact that only two characters (three including the Radio) really exist, the world feels weirdly populated and not at all desolate.
The best part by far of Tiny and Big is the gameplay. Or, rather, the physics engine. As I mentioned, you are armed with three tools – the laser cutter, which is used to slice up giant rocks and structures; the grappling hook, used to pull things; and the rocket launcher, used to…well, launch things. With them, the world is your oyster! Using a sandbox environment, the game allows you to make your way from point A to point B with no real right answer – how you do it is up to you. I had too much fun cutting up massive statues, watching them collapse, then attaching a rocket to the rubble and sending it flying into space. It’s just very satisfying, if that’s what you’re in to. The physics engine is brilliant in that near enough every object in the environment is responsive – that is to say, you could cut up a large rock into five pieces, one of which falls and hits into a statue, causing it to collapse and unexpectedly smush you. True story. It was hilarious. It’s a game that rewards exploration and initiative thinking, with over fifteen individual songs to collect throughout the game by various lesser-known artists, which means you can be a total hipster about knowing them.
There isn’t really too much more to say. The game is short but sweet, but personally I would love to see more from developer Black Pants Game Studio! It’s currently 69p on Steam, reduced from £6.99, which is still worth it to be honest as the game is littered with achievements, adding mucho replay value. My screenshots don’t really do it justice as it’s hard to hit F12 at the exact moment of awesomeness, so go on: spend 69p. I mean, what’s that…like…a Mars Bar? You don’t need any more of them, fatty.
Game of Thrones Episode Companion: Season 4 Episode 10
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
Happy Father’s Day, Tywin.
I bet I’m the first person on the internet to make that joke.
So, Game of Thrones is over for another year. What did we all think of the finale? Whilst I don’t think that it was Weiss and Benioff’s ‘masterpiece’, as they claimed it was, I did thoroughly enjoy the episode. Book fans have been simultaneously reeling from the lack of a certain scene, but actually I am kind of glad that it was omitted. Without spoiling anything, the scene that was expected is the epilogue of A Storm of Swords, which is book three in the A Song of Ice and Fire series. It’s a major reveal – I will say no more than that – and would have made a great epilogue to the series. However, had they included it, there episode would have been too packed, I think. There was a lot going on, and a lot of twists and turns in various story arcs. Had this scene been included, I think that it would have taken away from the rest of the episode. Now, I just hope they include it early in season 5, as the longer they wait, the less impact it will have. But I’m not as angry about it being left out as I thought I was, and actually having the episode end with Arya sailing away was quite a nice way to finish the series.
A lot of events unfolded throughout the 65 minute episode, so I will try and cover as much as I can, ending with a note on where the characters all are at the moment.
I’ll start with a scene that was quite easily overlooked: Qyburn and the Mountain. I’m sure that a normal man would have died by the wounds that the Red Viper of Dorne inflicted…but the Mountain is not a normal man. It is revealed here that Oberyn used poison during his fight with Gregor Clegane in episode 8, and this is what is slowly killing him. Qyburn (who was once a maester, but was kicked out for ‘unorthodox’ practices) is the fellow that escorted Jaime and Brienne back to King’s Landing from Harrenhal at the end of season 3. He has been there since, and Cersei has taken quite an interest in him, it seems. Qyburn promises that, through his ‘unorthodox’ practices, he can save Gregor Clegane’s life, but he won’t be the same. As an interesting side note, Qyburn was first introduced in season 3 episode 1, when Robb arrives at Harrenhal after it had been pillaged. Pillaged by whom, you ask? Well, the very person that Qyburn is experimenting on.
Sticking in King’s Landing, Tywin had a very bad day. Firstly, his daughter tells him that his family is built up on incest, and then his youngest son shoots him whilst he is having a poo. Deary me. The most powerful man in the word…killed on the toilet. Here we see the Lannister’s real decline in power. With the patriarchal figurehead eliminated, what will happen to the family now? We already know that the gold mines in Casterly Rock have all but dried up, and the Tyrells are sneaking around, getting their mits into Tommen to manipulate him. Jaime remains in the Kingsguard, and as a result cannot father any children. Indeed, it seems that the Lannister line is all but drying up! Whilst I really enjoyed how Tyrion’s story was played out, I can’t help but be a little upset with some minor variations from the book – it is obvious that Tyrion is a favourite; not just a fan favourite, but Benioff and Weiss’ too. As a result, I think that they are, for lack of a better term, white washing him. In the books, Tyrion is a lot darker. For example (I think I mentioned this before), he once had a singer boiled into stew for threatening to reveal the truth about Shae. In the series, we sometimes see a darker side to him, but not to this extent. Anyway, my point is that Tyrion and Jaime’s departure in the series was on good terms, whereas in the books it is not, which both influences their characters drastically in the next installment. For those interested, this is how it plays out in the books (if not, skip ahead until after the nice picture).
****** SPOILERS KIND OF-ISH BUT NOT REALLY ****
Do you remember the story of Tysha, Tyrion’s first wife? Long story short, Tyrion lost his virginity to her, and then found out that she was a whore, hired by Jaime to help Tyrion become a man. In response, Tywin had his men rape her, and paid her afterwards. Skip forward to the present, and Jaime comes down to the cells to free Tyrion. He reveals the truth about Tysha: she wasn’t a whore; Tywin lied about it to break up up their un-(in his eyes) holy matrimony. Naturally, Tyrion is mega pissed off, and then proceeds to tells Jaime that he did kill Joffrey, and that Cersei has been having sexy time with Lancel (their cousin, in the first and second series), Osmund Kettleblack (a knight from the books) and “Moon-Boy, for all I know” (Moon-Boy is a court fool). The two part ways, peeved at each other – with Jaime questioning his incestuous relationship, which had been perfect up until now, let’s be honest. Anyway so Tyrion encounters Varys, who’s like “by the way, that’s Tywin’s room up there, jus’ sayin’.” Tyrion ventures up, finds Shae in Tywin’s bed as the show portrays (though he seems to be a lot angrier in the books and pretty much murders her in cold blood) before finding Tywin on the privy. The difference in the scene here is that series-Tyrion seems concerned and upset with Shae, whereas book-Tyrion is hung up on Tysha. He tells Tywin he knows the truth, and asks where Tysha is. Tywin replies “where do whores go?” before Tyrion thwangs him with the crossbow. Like Jaime, Tyrion has this line repeating in his head – “where do whores go?” – heavily influencing his character and the decisions he makes. So, I for one am very interested to see how their future stories play out!
Continuing on – so Tyrion finds Shae and kills her out in self-defence, anger, betrayal and sadness. I’m not sure what the weird “I’m sorry” was about, but the scene was very well done. He then finds Joffrey’s old reliable crossbow and hunts down Tywin, putting a big crossbow bolt shaped dent in the Lannister’s power. Varys, who is so awesome, then helps Tyrion escape. Varys is about to return to the castle, but then realises what an awful, silly place it is, and proceeds to boat trip with Tyrion. He doesn’t accompany the Imp in the books, but I’m looking forward to seeing more interactions between the two next season!
Ummm next we have Daenerys. Her exploits in the finale were pretty self-explanatory: Drogon, the largest and most fearsome of her three dragons, went and flamethrowered a young girl. Daenerys wisely finally realises that dragons are actually pretty dangerous, and, full of emotion, chains them up for the time being, which is probably going to end really well. Well, she chains two of them up – Viserion and Rhaegal. Drogon – the most dangerous muthafuzzer – is out hunting and hasn’t been seen for days…
In the North, viewers were treated to some brilliant exchanges between Jon Snow and Mance Rayder, before Stannis shows up and kicks arse. If you recall at the end of season 3, Melisandre tells Stannis that the “true fight is to the north”. So how did Stannis get to the Wall? Last we saw of him, he was in Braavos, which is to the east of Westeros in Essos. From there, Stannis could have sailed north along the Westeros coast and past the Wall, before docking and unloading his troops. But why is he there? Well, to quote George R. R. Martin, Stannis is realising that he shouldn’t become king to save Westeros, but should save Westeros to become king. It is important, however, to note that the Night’s Watch swear they will not align themselves to a specific family or take part in any wars besides their own. This is A Song of Ice and Fire, and it appears that Ice and Fire are indeed now meeting!
Further north, you may be rubbing your eyelids in confusion as to what is going on with Bran’s story. We know that he is trying to find the Three-Eyed Raven (Three-Eyed Crow in the books) from
his dreams, and he knowsthat it is something to do with a heart tree, which, as I mentioned before, were symbols of the Old Gods (Jon burnt Ygritte under one in this episode too). They arrive at the tree that Bran has seen in his dreams, are attacked by undead, and then rescued by a Lost Boy from Peter Pan. This character is called Leaf, and she is one of the Children of the Forest. Some quick background – the Children of the Forest, though childlike in appearance, are not children at all. They’re kind of like Halfling elfy things. The giants called them “little squirrel people”. They lived in Westeros eons ago, before the First Men settled. When the First Men settled, with their bronze weapons and what not, the Children’s weirwoods were all but burnt down, and what little of them remained went into hiding. That’s just a brief history – you can probably find out more online, as it is quite interesting, but beware, for the night is dark and full of spoilers. Leaf leads Bran, Hodor and Merra (but not Jojen as he is now super dead) to the Three-Eyed Raven, who appears to be a man caught in a tree. His depiction in the books is a lot cooler, but I imagine the CGI budget was pretty much spent at this point, what with all of Leaf’s fireballs, so I guess an old man in a tree will have to do. Suddenly, Bran’s story has become interesting again!
Holy Christmas is that it? Oh, no – Arya. Ok, so book-Brienne never meets Arya, and the fight between her and the Hound doesn’t happen – book-Sandor Clegane becomes weakened by a wound he suffered, then Arya leaves him to die – but this was much cooler, and a pretty bad arse fight scene. Arya has obviously become very suspicious of people, which is why her tone towards Brienne changes as soon as “Lannister” is mentioned. Despite that, she still resents the Hound for killing Mycha (the butcher’s boy), no matter how many whacky adventures they have had. Arya is now stone cold, and instead of giving the Hound the sweet, sweet release of death, she leaves him to die slowly and painfully. She arrives at a place known as the Salt Pans (hence all that salt you saw), searching for a vessel. She is lost and alone in the world, but still has one hope: the coin that Jaqen gave her at the end of series 2. “Give this to any man from Braavos and say ‘valar morghulis’”. And off she pops.
So, as it stands –
Bran and co. are beyond the Wall, sheltered from harm with the Three-Eyed Raven.
At the Wall we have Jon and the Night’s Watch, along with Stannis, Davos, Melisandre and Stannis’ men, whilst Tormund and Mance are being held prisoner.
Reek/Theon is at Winterfell, where the Boltons have made their new home.
Sansa (going by the name Alayne) and Littlefinger are in the Eyrie, preparing to depart on a tour of the Vale.
Ayra is boarding a boat to Braavos.
The Hound is left dying on a rock.
Brienne and Podrick are still in the Vale looking for Arya.
In King’s Landing, Tommen sits on the throne, surrounded by the Tyrells, much to Cersei’s dismay. Qyburn is experimenting on the Mountain, Jaime is still a member of the Kingsguard, Tywin is dead, and Tyrion and Varys are also boarding a boat to who-knows-where.
Across the Narrow Sea, Dany has chained up her dragons and realises that ruling ain’t that easy, whilst Jorah is moping out in the wilderness somewhere on horseback.
Oh, and somewhere in the Narrow Sea, poor Gendry is still probably figuring out how to row his boat.
I think that just about covers everyone? Apologies if I have missed anyone out.
If you’re feeling a big Game of Thrones shaped hole in your heart, I really do recommend you to read the books. At times, they are quite difficult, tedious, and a tad boring, but overall the story is fantastic and exciting, and gives you so much more depth than the series can. Start with the first book – A Game of Thrones – even if you have watched the series thus far, or else you will miss out. Plus, then you can join in the hundreds of theory discussions online, and, more importantly, gloat and act smug to non-book readers that you have read them…not that I do that, of course. Thank you for reading my episode follow-ups, and I hope that you found them helpful and enjoyed reading them, as I did writing them.
Game of Thrones Episode Companion: Season 4 Episode 9
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
Pyp….Grenn…..THAT WASN’T IN THE BOOKS 😥
There isn’t really that much to say about this week’s episode; it was pretty self-explanatory. What I found interesting is that with all the goings on in King’s Landing and the rest of Westeros, you could be forgiven for forgetting about the imminent peril that the Night’s Watch were about to face. Jon’s story in this season so far has been mostly filler, but it has all been leading up to this moment. You may even have forgotten who the hell Mance Rayder is (in my opinion they should have shown him in this episode, even briefly, to remind watchers what his biz is), but his threat is ever looming, and, like the rest of Westeros, we may well have thought not much of it. Mance wants the Freefolk to destroy the Night’s Watch, and then Westeros. It all comes crashing down, seemingly quite suddenly. To the north of the Wall, Mance Rayder sits with his massive army of Wildlings, giants and mammoths, ready to attack. To the south of the Wall, on the Westeros side, Tormund, Ygritte and Styr await the King-Beyond-the-Wall’s signal. The signal is given, and both armies pincer-attack Castle Black. The story that Tormund was telling, by the way, was about him having sex with a bear. Tormund’s…member…is a subject that he likes to discuss often – we saw a glimpse of how raunchy he can be in season 3, but yeah, pretty much he allegedly has a huge Johnson, and engaged in coital activities with a bear (not realising it was a bear at the time…apparently).
For obvious reasons, this episode shares many similarities with “Blackwater”, so it’s hard not to compare the two. Whilst “Blackwater” have the awe-inspiring wildfire sequence, “The Watchers on the Wall” was not without its merits. For starters, how great was that awesome Wall-scythe-anchor-thing? That may or may not have been a nod to “Blackwater” – in the books, Tyrion has a massive chain built around the bay to trap Stannis’ ships in before igniting them. Some fans were a little peeved that the chain didn’t make it into the show, so maybe this is a little tribute to it. And we finally got to see some giants and mammoths in action, squishing and squashing all in their paths. Whilst their arrows did look a bit like a weapon from a JRPG, it was a good way to show just how fierce and powerful they are. Additionally, I think that a lot of the battle choreography was better than “Blackwater” – it looked sloppy and unpredictable, which makes sense when this episode focused on fights with Wildings, who essentially trained themselves and are undisciplined, whereas the soldiers featured in “Blackwater” were castle trained military men. Plus, dat panoramic shot.
Ygritte’s death was mega sad and very well done. The build-up, with Jon, seeing her alive and safe, smiling, was heart-wrenching. I’m not sure if, given the chance, she would have opened fire – if she wanted to kill him, she would have done last season when she shot him. But it’s ok, because Olly the kid gets there first. In retrospect, there was a lot of foreshadowing indicating that he would be the one to kill her – firstly, she very obviously arrow’d his parents, and the two exchanges a look before he runs to the Wall. A few episodes later, he claims that he is a great shot with a bow. During the battle, he finds one on the floor, and off he goes. Foreshadowing…this show is full of it! The scene ends with a beautifully heartbreaking shot of Jon cradling Ygritte in his arms as the battle rages around him. On the subject of sad things, although Pyp and Grenn’s deaths were pretty upsetting, I also found myself sympathising with the giants: there is a moment when Mag Mar Tun Doh Weg, (or Mag the Mighty for short) the giant that opened the gate in the tunnel, sees his fellow giant get killed. He pauses for a second, before letting out a cry and anguish. Mag is witnessing the extinction of the giants – in the books, there is a song called “The Last of the Giants” that explains this – right before his eyes. It’s only natural that he is a bit peeved.
This episode also saw quite a lot of character development – not just from Jon, who became stone-cold following Ygritte’s death, but also Sam and Alliser Thorne. Sam, who is usually the source of a bit of comic relief, really came into his own in this episode (and said a swear!) and it is apparent that he is no longer the snivelling craven that first arrived at Castle Black in season 1. And Ser Alliser, who has, quite frankly, been a total knob up until this point, was actually rather likable in this episode! During his 1 on 1 with Tormund, I didn’t know who to root(?) for. Not Janos Slynt though – the slimey coward! Although he will earn no XP from the fight, so that’s ok. Also, I love that Jon spat blood in Styr’s (the bald cannibal guy) face – something dishonourable that he must have picked up from Karl “Fookin’ Legend” Tanner earlier this season. It’s nice to see, as highlighted in the Jon v Karl fight, that Jon Snow isn’t invincible; I mean, Styr very nearly kills him before Jon decides to fight dirty. Though he does survive an anvil to the face, so kudos on that, Jon.
At the end of the episode, Lord Snow heads off to try and assassinate Mance – he believes that without leadership, the Wildlings will fall into disarray. A similar thing happens in the books, although in this instance Janos Slynt and Alliser Thorne coerce Jon into going. I don’t think that there is really anything else to say about this episode. I am gutted about Pyp and Grenn – who are both very much alive in the books – but they both died honourably and in service to the Watch, and to be honest, it would have looked a bit silly if all of Jon’s comrades had survived. Still, unexpected and sad. Oh, also, Ygritte was probably pregnant with Jon’s child (I can’t really see them having a spare pigs intestine contraceptive in the sex-cave) so there’s that….
Anyway, next week is the final episode of the season, which is extremely upsetting. We have a lot of loose ends to tie up, and I for one can’t wait. Also, I am very curious to see when this scene comes into play –
Game of Thrones Episode Companion: Season 4 Episode 8
This article is to be read after the episode has been seen, as and as a result may contain spoilers up to the episode that it’s covering, but no further. So if you haven’t seen the episode yet, go and watch it. Then come back and read this. Then watch the episode again. Then read this again.
And this isn’t even episode 9!
This episode was fantastic, in my most honest and humble opinion. Whilst sections diverged from the books slightly, it was all very well written and coherent. My only gripe this week was the Meereen scenes, so we will dust over that first.
Some people are outraged/confused about the whole Grey Worm/Missandei thing. Two arguments have arisen here: 1) THAT’S NOT IN THE BOOKS! And 2) but he is a eunuch! Whilst these are both true, I believe that this little filler story is just a harmless side plot. Firstly, no, nothing like this is in the books – I mean, book-Missandei is only ten years old, for starters. And Grey Worm has no interest in her. In fact, if I remember correctly, the two barely interact. But that isn’t a pivotal plot point, I don’t think, and ergo it can be altered and changed to add some show content. So calm your booky faces. Now, I’m no scientist man, but I think that the fact that he is a eunuch may mean that he has no sexual desires at all – isn’t that the point? So I think that his attachment to Missandei is purely on an emotional level. In the books, it is stated that the Unsullied often go to the brothels to lay with the girls, just for comfort. Perhaps Grey Worm’s infatuation is driven by the same desire? Also boobs. But anyway, that scene wasn’t what let the episode down – no, that honour goes to Daenerys. Jorah’s exile should have been a much bigger deal. I mean, how many “Lord Friendzone” jokes are there out there? In the books, this scene is heart-breaking, and unfortunately I think it is one of those ones that just hasn’t translated too well. I think that this is partly down to the writing for that scene, and partly down to Emilia Clarke’s acting, who seems to be getting progressively worse. I don’t know. I think that she was going for the whole “numb” approach, which is fine, but it just didn’t have the emotional impact that it should have. To add some context, in the books, Barristan and Jorah’s ‘reveals’ happen at the same time: Before Joffrey dismisses him, book-Barristan sat on Robert’s Small Council meetings, and as a result knew about Jorah’s spying from day one. After leaving King’s Landing, he dons the disguise of Arstan Whitebeard – an old man – and seeks out Daenerys. He finds her as early as Qarth, still under the guise, and joins her. For obvious reasons, this couldn’t really be done in a TV adaptation, as we would all know who he was. Anyway, eventually Barristan’s disguise is revealed, and Jorah’s all like “you’re spying on her!” and then Barristan is like “mate, you’re spying on her!” The reason why Jorah is exiled and Barristan isn’t, in a nutshell, is because Barristan comes clean straight away and apologises (Dany still punishes him), whereas Jorah just makes excuse after excuse about his spying and never actually apologises. With a heavy heart, Daenerys banishes him. It’s a shame that this hasn’t been translated well, because obviously it’s quite a big deal, and one that has been bubbling for a while now. I’m starting to think that every episode has one ‘meh’ scene in it…
But there were plenty of good ones to counteract it, s’not all bad! At the Wall, the Wildlings have reached Mole’s Town, and are closing in fast. In fact, episode 9 of this series is going to be another Blackwater-esque episode; that is so say, one fat off battle at Castle Black. According to the episode director, it’s going to dwarf Blackwater. Is that a pun? That might be a pun.
Staying in the north, can we please just take (another) moment to appreciate Alfie Allen’s portrayal of Reek? I know I keep going on about this, but it’s absolutely brilliant. You could see how constantly petrified, broken and terrified he is, especially considering he was this cocky little so-and-so in the earlier seasons. So the story here is that Ramsay wants to please Daddy Bolton by taking the stronghold that is Moat Cailin (we saw it in the opening credits). Moat Cailin is an extremely strategically placed fortress, built in the centre of the swampy lands that separate the Northern Kingdom and the south of Westeros. The Ironborn took it over when Balon Greyjoy decided again that he wanted the North…and just kind of sat there. Reek manages to convince them to leave, promising them safe passage…and then they get flayed. If you were wondering what Reek was muttering through the scene, it was “Reek, Reek, rhymes with meek” – a rhyme (or variation of) that he repeats consistently throughout the book to remind himself ‘who he really is’. Anyway, in a “one day, all of this will be yours” kind of manner, Roose Bolton, pleased with his bastard, rewards him by legitimising him – he is no longer Ramsay Snow, but Ramsay Bolton. And if you didn’t work it out, that castle that there were heading to at the end of their scene was Winterfell – Roose, as Warden of the North, is claiming the castle as his seat of power.
In the Eyrie, Littlefinger is being confronted about Lysa’s sudden, suspicious death. The three people interrogating him are Lord “Bronze” Yohn Royce (who lead the interrogation), Lady Anya Waynwood, and Ser Vance Corbray. The former two are the heads of houses sworn to House Arryn, and the latter is a knight from another noble house in Vale. What’s interesting here is that this may well have been the first time that we see Littlefinger without a plan. Pushing Lysa out of the Moon Door was quite impulsive, I think, and he may not have considered the consequences. For all he knew, Sansa would spill the beans, which would probably have resulted in fox lord Baelish following in his wife’s footsteps… But, luckily for him, Sansa has picked up a few things in her time at King’s Landing, and uses her own weapon – her tears – to defend Petyr. Oh yes, introducing a new player to the Game: Sansa Stark. These two are going to make quite a formidable team, I think – especially when you think about how much combined influence they have together: Petyr Baelish has the Vale (which is pretty darn big) and Harrenhal (also pretty darn big), whereas Sansa is the key to the North (pretty darn biggest). Fun bit of trivia – Lord Yohn Royce’s son, as Sansa mentioned, joined the Night’s Watch. He was one of the first people we saw brutally die in the very first Game of Thrones episode, in the prologue. So that’s nice to know.
Ok, so once again the climax of the episode was King’s Landing, which is generally where shit’s going down. Tyrion’s beetle story was a show-only inclusion, and fans have been baffled about what it meant. There is no right answer, really, so you can decide for yourself – though I think it may allude to how pointless all the killing in Westeros is, and how the gods (if they exist) really don’t seem to care. Another lovely speech though.
On to the main event of “The Mountain and the Viper”…the Mountain and the Viper! In my opinion, this scene was done perfectly. I was worried that Oberyn’s shouting may have been drowned out by
the sound of steel on steel, but the fight was paced very well, allowing intervals of mocking-to-hysterical shouting. It was brilliant, epic and gave me chills. Sure, some of the choreography was different to how it is described in the book, and the Mountain didn’t accidentally slice an innocent bystander in half during the fight (yeah…) but who cares – it was exciting, tense and very impressive. But, alas, Oberyn’s hubris got the better of him. See, he had multiple chances to kill the Mountain where he stood. But Oberyn didn’t simply want to kill Gregor Clegane: he needed a confession. There is a passage in the book where Oberyn says something along the lines of “if you die before confessing, I will hunt you through the seven hells”. The Red Viper of Dorne is a renowned fighter, and it shows – and to take down the Mountain is no easy feat. But unfortunately Oberyn makes one wrong move, and it costs him um…pretty dearly. Whether the Mountain died or not is not yet revealed, although even if he did, Tyrion still lost the trial as his champion died first. What’s important to remember here too is that Oberyn wasn’t just some knight or sellsword; he was a Prince of Dorne…I don’t imagine that his death, despite the fact that he willingly put his life on the line, will go down well back home.
I have seen a lot of posts on t’internet in the last few days in which people have been posting their anger at Oberyn’s death. Not the gruesome, horrible manner of it – but the death itself. People claiming that it was only done for shock value, for example. This is all wrong. Events such as Ned’s death, the Red Wedding, and the outcome of this fight are obviously shocking, but that’s not why they’re there. There are very few “good guys” or “bad guys” in Game of Thrones; pretty much everyone is morally grey. Oberyn, no matter how awesome, died due to his own neglect. In a recent post I read on reddit, one user summed it up perfectly: “the whole point of the Song Of Ice And Fire is that characters face the consequences of their actions whilst playing the game of thrones. Ned died because he was naive and put his trust in the wrong people. Roose/Ramsay are still alive because they are playing the game correctly by being intelligent in regards to their alliances.” There is a much deeper meaning than just ‘GRRM likes to kill off characters’ – there is a reason behind all of their deaths. I just hope that fans can see that, and don’t just look at is as ‘an attempt to top the Red Wedding’.
To tide you over, here is Arya’s slightly maniacal laugh, accompanied by the biggest “….fuck” face I have seen, on the Hound. DON’T READ THE YOUTUBE COMMENTS.
